Duke University Press Television as Digital Media (Console-ing Passions)

In Television as Digital Media, scholars from Australia, the United Kingdom, and the United States combine television studies with new media studies to analyze digital TV as part of digital culture. Taking into account technologies, industries, economies, aesthetics, and various production, user, and audience practices, the contributors develop a new critical paradigm for thinking about television, and the future of television studies, in the digital era. The collection brings together established and emerging scholars, producing an intergenerational dialogue that will be useful for anyone seeking to understand the relationship between television and digital media. Introducing the collection, James Bennett explains how television as digital media is a non-site-specific, hybrid cultural and technological form that spreads across platforms such as mobile phones, games consoles, iPods, and online video services, including YouTube, Hulu and the BBC’s iPlayer. Television as digital media threatens to upset assumptions about television as a mass medium that has helped define the social collective experience, the organization of everyday life, and forms of sociality. As often as we are promised the convenience of the television experience “anytime, anywhere,” we are invited to participate in communities, share television moments, and watch events live. The essays in this collection demonstrate the historical, production, aesthetic, and audience changes and continuities that underpin the emerging meaning of television as digital media. Contributors. James Bennett, William Boddy, Jean Burgess, John Caldwell, Daniel Chamberlain, Max Dawson, Jason Jacobs, Karen Lury, Roberta Pearson, Jeanette Steemers, Niki Strange, Julian Thomas, Graeme Turner Review " Television as Digital Media is a valuable snapshot of current theorizing and critical thinking in this time of technical convergence and social media innovation."--Vincent O'Donnell "Cultural Studies Review" " Television as Digital Media makes an important intervention within discussions of television's relationship to digital culture.... This collection demonstrates that television studies is well equipped to analyze these new objects, providing television scholars in particular, and media studies scholars more broadly, with an important set of tools with which to understand digital media culture."--Karen Petruska "Popular Communication" " Television as Digital Media presents itself as an enjoyable and informative read, dealing with a variety of aspects that come as a result of the advancements that are shaping the future of digital television."--Laura Burlacu "Masters of Media" " Television as Digital Media will be beneficial to media scholars and students alike.... [D]espite the huge challenge of negotiating the perpetually moving object of digital television, this book provides a useful and eclectic vocabulary for starting to make sense of these shifts."--Chuck Tryon "Screen" "[T]his is a great collection of reflections on the relation of social behavior, technology, and cultural form. It is a must-read for all those who are interested in what digitalization means."--Huub Wijfjes "Technology and Culture" "Taken as a whole, I found Television as Digital Media to be consistently excellent.... richly and deliberately engaged with the substantial changes being wrought by adjustments in the technologies, distribution practices, and economics--among many other industrial and cultural facets--that characterize television today."--Amanda D. Lotz "Cinema Journal" "Television as Digital Media is an important and timely collection. Offering strategies for mapping a fast-changing digital terrain, it is poised to stimulate an important conversation between television studies and the television industry."-- William Uricchio, Director, MIT Comparative Media Studies "This is a terrific collection that opens up exciting ways to think about relations between old TV and