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Routledge Walter Benjamin's Concept of the Image - Philosophy

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Description

In this Routledge Studies in Twentieth-Century Philosophy volume, Alison Ross provides a detailed study of Walter Benjamin's evolving concept of the image. The book examines the significant shifts in Benjamin's approach to the topic throughout his career. By using Kant's treatment of sensuous form in aesthetics as a comparative reference, Ross demonstrates how Benjamin's thinking changed between his 1924 essay on "Goethe's Elective Affinities" and his work on The Arcades Project from 1927 until 1940. The analysis shows how both periods of his writing share a view of the image as a potent sensuous force, offering deep insight for students and scholars of art history and philosophy.

Key Features

This Routledge publication offers a detailed study of Walter Benjamin's concept of the image.

The text explores significant shifts in Benjamin's approach to the image throughout his career.

Alison Ross uses Kant's treatment of sensuous form in aesthetics as a comparative reference.

The book analyzes Benjamin's writing from his 1924 essay through his work on The Arcades Project.

Part of the Routledge Studies in Twentieth-Century Philosophy series for academic research.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
07 November 2014
Listed Since
05 June 2014

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