Columbia University Press Looking Through Images: A Phenomenology of Visual Media (Columbia Themes in Philosophy, Social Criticism, and the Arts)

Product Description Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory―Aristotle’s concept of the diaphanous milieu of vision―and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices. Review Alloa's tour de force provides an incredibly erudite and insightful perspective on the phenomenology of images. A must-read for anyone wishing to analyze the visual imperatives of the world, for which we have lacked the appropriate tools.--Chiara Bottici, author of Imaginal Politics: Images Beyond Imagination and the Imaginary Emmanuel Alloa's Looking Through Images is a real tour de force. A masterful study of images, media, and visual experience, it provides an ABC of philosophical struggles with these concepts, from Aristotle to Berkeley to Descartes, Husserl, Sartre, and beyond. What is an image? What is a medium? How do we know what we see, and see what we know? This book is a feast of learning that ranges across disciplines with admirable precision.--W. J. T. Mitchell, author of What Do Pictures Want? Essays on the Lives and Loves of Images In a lucid reinterpretation of the European tradition, Emmanuel Alloa shows that images are not the seduction or distraction of philosophy but one of its most robust and enduring problems. Here Geistesgeschichte shows itself the royal road to understanding media--John Durham Peters, Yale University A real gift to the field of visual studies--James Elkins, The Art Institute of Chicago In this innovative, rich, and powerful book, Emmanuel Alloa brilliantly shows why images don't represent the real, but let the real come into being.--Jean-Luc Nancy, University of Strasbourg About the Author Emmanuel Alloa is professor of philosophy at the University of Fribourg, where he holds the Chair for Aesthetics and Philosophy of Art. His books in English include Resistance of the Sensible World: An Introduction to Merleau-Ponty (2017), as well as a number of coedited volumes, including, most recently, Dynamis of the Image: Moving Images in a Global World (2020). Nils F. Schott is a lecturer in the Euro-American Program of the Collège universitaire de Sciences Po, Reims, and coeditor of, among other books, Love and Forgiveness for a More Just World (Columbia, 2015). Andrew Benjamin is distinguished professor of architectural theory at the University of Technology, Sydney, and emeritus professor of philosophy at Monash University Melbourne.cHis recent books include Towards a Relational Ontology: Philosophy’s Other Possibility (2015) and Art’s Philosophical Work (2015).