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Routledge The Screen in Surrealist Art and Thought - Routledge

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Description

Explore the spatial theories underpinning Surrealism through Haim Finkelstein's groundbreaking analysis of the screen as a fundamental conceptual framework. This scholarly study examines how Surrealist painters and theorists of the 1920s employed layered depth and screen-based spatial paradigms to represent mental space and internal psychological processes. By introducing the screen as a key spatial paradigm, Finkelstein clarifies and extends our understanding of how Surrealist artists structured their work around the representation of the unconscious mind. The book traces the evolution of these spatial principles within the broader Surrealist Movement, connecting visual representation to philosophical thought. Essential reading for art historians, Surrealism scholars, and anyone seeking a deeper comprehension of how twentieth-century avant-garde artists conceptualised and depicted inner mental life through innovative spatial techniques.

Key Features

Introduces the screen as a central spatial paradigm for understanding Surrealist art and theory throughout the 1920s and beyond.

Analyses layered depth as a fundamental structuring principle in Surrealist paintings and writings.

Examines how Surrealist artists represented mental space and internal psychological processes through spatial innovation.

Published by Routledge, offering scholarly rigour and comprehensive exploration of Surrealist spatial philosophy.

Traces the development of screen-based conceptual frameworks within the broader Surrealist Movement.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
23 July 2007
Listed Since
13 February 2007

Barcode

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