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Routledge Medievalism and Nationalism in German Opera - Euryanthe to Lohengrin

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Description

Explore how German opera composers of the early nineteenth century used medievalism to forge a unified national identity. This Routledge research monograph examines the pivotal role that medieval aesthetics played in establishing a distinctive Germanic operatic tradition, drawing on detailed case studies of works by Weber, Schubert, Marschner, Wagner, and Schumann. Richardson investigates the historical sources available to these composers and how they interpreted medieval music in their operatic compositions, revealing the complex relationship between artistic recreation and nationalist ambition during a formative period in European cultural history. Essential reading for scholars of opera history, German Romanticism, and the intersection of aesthetics and national identity.

Key Features

Routledge Research in Music series offering peer-reviewed scholarly analysis of opera and musical nationalism in early nineteenth-century Germany.

Case studies of operas by Weber, Schubert, Marschner, Wagner, and Schumann demonstrate how composers employed medieval themes to advance Germanic operatic identity.

Investigates the historical sources and musical knowledge available to German composers in their medieval recreations and operatic works.

Examines the relationship between medievalism as an aesthetic movement and the development of German national cultural consciousness through opera.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
30 November 2020
Listed Since
12 October 2016

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