Brill Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari: 295 (Faux Titre, 295)

Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari is an innovative approach to the relationship of the work of Samuel Beckett to philosophy. The study seeks to combine intertextual analysis and a 'schizoanalytic genealogy' derived from the thought of Gilles Deleuze and Félix Guattari to explore a 'becoming-philosophy' of Beckett's literary writing. The author focuses on zones of encounter and confrontation - spaces and times of 'becoming' - between Beckett, selected philosophers and Deleuze and Guattari. In the retrospective glance occasioned by that part of Deleuze and Guattari's complex legacy which embraces their interest in the author, Beckett's writing in particular effectuates a threshold hesitation which can be seen directly to impact on their approach to the history of philosophy and on their contribution to its 'molecularization' in the name of experimentation. Abstract Machines, with its arresting perspectives on a wide range of Beckett's work, will appeal to academics and postgraduate students interested in the philosophical echoes so evident in his writing. The extent of its recourse to philosophers aside from Deleuze and Guattari, including, notably, Alain Badiou, renders it a timely and provocative intervention in contemporary debates concerning the relationship of literature to philosophy, both within Beckett studies and beyond. About the Author Garin Dowd is Reader in Critical and Cultural Theory in the Faculty of the Arts at Thames Valley University, London.