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De Gruyter Mouton Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film: 66 (Approaches to Semiotics [AS], 66)

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Description

Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
01 December 1984
Listed Since
16 December 2006

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