Brill Identity, Intertextuality, and Performance in Early Modern Song Culture: 43 (Intersections, 43)

Product Description Identity, Intertextuality, and Performance in Early Modern Song Culture for the first time explores comparatively the dynamic process of group formation through the production and appropriation of songs in various European countries and regions. Review " Identity, Intertextuality, and Performance in Early Modern Song Culture is a welcome addition to our knowledge of the arena of communication in early modern Europe. The book is a groundbreaking foray into a very promising field." - Daniele V. Filippi, University of Applied Sciences and Arts, Northwestern Switzerland and Academy of Music, Schola Cantorum Basiliensis, in: Journal of Jesuit Studies, Vol. 4, No. 3 (2017), pp. 511-513 [DOI: 10.1163/22141332-00403007-08] " Identity, Intertextuality, and Performance in Early Modern Song Culture celebrates excellent research on and compilation of early European songs. The collection never pretends to be exhaustive, however, for each chapter explains what further research could and should be done. For that reason, the book is incredibly significant to researchers who are looking not just for answer, but also for further questions." - Deana Smid, Brandon University, Canada, in: Sixteenth Century Journal, Vol. 49, No. 1 (Spring 2018), pp. 182-185 About the Author Dieuwke van der Poel, Ph.D. (1989), Utrecht University, is Associate Professor at that university. She co-edited an edition of the Antwerp Songbook (2004) and Women's Writing from the Low Countries 1200-1875 (2010). Louis Peter Grijp, Ph.D. (1991), Meertens Institute, Amsterdam and Utrecht University, is Professor of Research in Dutch song culture. He has published numerous articles and books on song culture. He is founder of the Dutch Song Database. Wim van Anrooij, Ph.D. (1990), University of Leiden, is Professor of Dutch literature up to Romanticism at that university. He has published monographs and articles on Middle Dutch literature, and co-edited Early Modern Medievalisms: The Interplay Between Scholarly Reflection and Artistic Production (Brill, 2010).