Science and the Romantic Vision in Early Nineteenth-Century Opera (Music in Society and Culture) - Image 1

£67.31

Boydell Press Science and the Romantic Vision in Early Nineteenth-Century Opera (Music in Society and Culture)

Name: Science and the Romantic Vision in Early Nineteenth-Century Opera (Music in Society and Culture)
Brand: Boydell Press
Price: 67.31 GBP
Availability: InStock

Classical Music

This is the most expensive it has ever been. Walk away.

£67 today · previous high £67 · all-time low £67

NEW HERE?

Amazon shows you one price. We show you all of them.

Tosheroon watches Amazon prices so you don't have to. Every product on Amazon has a price history — we make it visible. Set the price you'd actually pay, and we'll email you the second it gets there. No app, no account, one email.

WHAT'S ON THIS PAGE

↓ Price chart
when this has been cheap or pricey

↓ Forecast
where the price is heading next

↓ Statistics
all-time high & low, recent range

↑ Price alert
name your number, we'll email you

Price History & Forecast

Grey patches = out of stock. Cheaper = lower on the chart. Hover for exact prices.

Last 91 days · 60 data points

Historical

Generating forecast…

Price Distribution

Price distribution over 91 days • 1 price levels

Days at Price

Price Analysis

Most common price: £67 (60 days, 100.0%)

Price range: £67 - £67

Price levels: 1 different prices over 60 days

Description

An interdisciplinary study of how early nineteenth-century science and opera articulated a transnational romantic vision of harmony between self and nature, and how this ideal gave way to mid-century realism and social conflict. The end of the Napoleonic era ushered in a transnational outlook for Europe, where the traditional boundaries that separated people, ideas and things were blurred in favour of a unified and cosmopolitan vision for society. The result of this shift created a 'romantic vision', a new way to perceive the imagined potential of the self in correspondence with the infinite reality of the natural world. Early nineteenth-century scientists such as Alexander von Humboldt (earth sciences), Franz Anton Mesmer (mesmerism), Johann Wilhelm Ritter (galvanism) and Frédéric Dubois d'Amiens (hysteria) are explored in this context to see how the romantic vision was reflected in their work and received by society. Seeing opera as a confluence of all the arts and encompassing a similar romantic vision, this book examines three paradigmatic operas that contend with the forces of nature: Weber's Der Freischütz (1821), Meyerbeer's Robert le diable (1831) and Donizetti's Lucia di Lammermoor (1835). In these three highly successful works from separate operatic traditions, the unseen, inner world of nature reveals a wholeness of the self with the divine, showcasing a healthy optimism for society. The book concludes by discussing Gounod's Faust (1859), a work that highlights the struggle of an early-16th-century scientist and places it against the context of the social revolutions of 1848 and the seminal publication of Charles Darwin's The Origin of Species in 1859. In this post-1850 era, the potential of the unseen reality of nature is cast aside and replaced with the certainty of the everyday-the violence of man against man, the struggle for power and the destruction of nature itself.

Product Specifications

Brand: Boydell Press
Format: hardcover
ASIN: 1837652333
Category: Books > Subjects > Arts & Photography > Music > Styles > Classical Music
Domain: Amazon UK
Release Date: 06 January 2026
Listed Since: 15 August 2025

Barcode

No barcode data available

Boydell Press Science and the Romantic Vision in Early Nineteenth-Century Opera (Music in Society and Culture)

This is the most expensive it has ever been. Walk away.

Price History & Forecast

Price Distribution

Price Analysis

Description

Product Specifications

Barcode

Similar Products You Might Like

Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain (Ashgate Interdisciplinary Studies in Opera)

Music and Modernity in Enlightenment Spain (Music in Society and Culture)

Britten, Opera and Film

Opera, a History of the Impossible Genre

Entangled Histories: Opera and Cultural Exchange between Vienna and the Italian States after Napoleon (New Cultural History of Music)

Musical Genre and Romantic Ideology: Belonging in the Age of Originality (AMS STUDIES IN MUSIC SERIES)

Von Musen Und Musik: Zu Oper, Libretto Und Singspiel

Historical Performance and New Music: Aesthetics and Practices (Studies in Contemporary Music and Culture)

Romantic Voices: Listening to Nineteenth-Century Music

Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall

Routledge - Music in American Nineteenth-Century History

Science and Sound in Nineteenth-Century Britain: Sounds Experimental and Entertaining (Nineteenth-Century Science, Technology and Medicine: Sources and Documents)

Televising Opera: Broadcasting and Performance in the North Atlantic (Oxford Music / Media)

European Music in the Twentieth Century (Routledge Revivals)

Weird Music: Reading John Ireland and Arthur Machen (Music in Britain, 1600-2000)

Choral Treatises and Singing Societies in the Romantic Age

Routledge Music and Science: A Guide to Empirical Music Research

Acoustics of Empire: Sound, Media, and Power in the Long Nineteenth Century

Visions of the Village: Ruralness, Identity, and Czech Opera (New Cultural History of Music)

Music vis-à-vis Other Arts in Eastern and Central Europe: Performance, Literature, Theatre, Art/Architecture and Visuality

Ontology of the Musical Work: Scored Music, Jazz, Pop, and Rock

On Counter-Enlightenment, Existential Irony, and Sanctification: Essays in the Sociology of Western Art Musics

Routledge Science and Sound in Nineteenth-Century Britain

Pianists and the Music of Their Time: Facing the Unknown