£78.99

emerald PUBLISHING Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics: 55 (Research in the Sociology of Organizations, 55)

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Description

Product Description Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. The growth and dynamism of creative industries depends on continuous innovation that must manage inherent tensions such as novelty to attract consumers and sustain artistic expression and familiarity to aid comprehension and stabilize demand for cultural products. In this volume, the macro-structural conditions that shape creative industries their institutional, categorical and structural dynamics- are examined to provide an overview of new trends and emerging issues in scholarship on this topic. Creative industries offer products and services that range from the prosaic to the sublime and provide meaning to our lives, and this volume features a wide range of examples, from advertising, to architecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactions of brokerage relations; how actors transform a brokerage role from control to co-production to enact creative leadership; how investors provide legitimacy to the new categories such as abstract art; how technological disintermediation creates alternative category processes such as authenticity; how social relations shape social evaluation; how prototypical producers can trespass categories and avert negative evaluation; how personal styles enable social evaluation; and how the ambiguity of a category, such as Swing music, facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creative industries as a form of cultural product and a category in itself. Review This volume brings together 10 essays by management and other scholars from Europe and the US, who examine social structural and categorical aspects that impact creative industries, focusing on the production and evaluation of creative products in architecture, art markets, advertising, music, and the wine industry. They discuss broker styles in interactions with others in creative projects, creative leadership processes for social impact, how investors impact the art world, the concept of style and how styles impact evaluations of an organization’s creative performance, the influence of status and social distance in evaluative processes in advertising, the role of authenticity and algorithms in digitized music, category longevity in the area of swing music, and default expectations about champagne producers. The book is based on the Creative Industries conference held in July 2016 in Edinburgh, Scotland. -- Annotation ©2018 ― (protoview.com) About the Author Candace Jones is the Chair of Global Creative Enterprise at the University of Edinburgh Business School, UK. She is co-editor of The Oxford Handbook of Creative Industries and is on the Editorial Review Boards of Academy of Management Review, Journal of Professions and Organization, Organization Science and Organization Studies. Massimo Maoret is Assistant Professor at IESE Business School, USA, and a Marie Curie Fellow of the European Commission. His work has appeared in multiple prestigious academic journals, including Organization Science, the Strategic Management Journal, Advances in Strategic Management and the Proceedings of the Academy of Management.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
03 April 2018
Listed Since
09 October 2017

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No barcode data available

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