Bloomsbury Book Presence in a Digital Age

Contrary to the apocalyptic pronouncements of paper media's imminent demise, there has been a veritable surge of creative reimaginings of books as bearers of the literary. From typographic experiments (Mark Z. Danielewskis House of Leaves, Steven Halls The Raw Shark Texts) to accordion books (Anne Carsons Nox), from cut ups (Jonathan Safran Foers Tree of Codes) to collages (Graham Rawles Womans World), from erasures (Mary Ruefles A Little White Shadow) to mixups (Simon Morriss The Interpretations of Dreams), print literature has gone through anything but a slow, inevitable death. In fact, it has re-invented itself materially. Starting from this idea of media plurality, Book Presence in a Digital Age explores the resilience of print literatures, book art, and zines in the late age of print. It does so within both a contemporary and a historical perspective: even as it focuses on the materiality of books as literary writing in the present, it considers these present developments in the light of earlier moments of media transition: from the invention of the printing press to the gramophone, radio, and the movies, the future of the book has been called into question since the early modern era. Bringing together leading scholars, artists, and publishers, Book Presence in a Digital Age offers a variety of perspectives on the past, present, and future of the book as medium, the complex relationship of materiality to virtuality, and of the analog to the digital. Review Book Presence in a Digital Age is that rare volume that reads as both the culmination and anticipation of a field. It reflexively brings together some of the most compelling critics and artists thinking about ‘the book’ as medium and cultural artifact – and the individual conversations, explorations, and interventions that result would have alone made for a worthy volume. But the cumulative effect is much more than this, for collectively they articulate the questions that will inform scholarship and artistic practice for some years to come. ― Rita Raley, Associate Professor of English, University of California, Santa Barbara, USAOperating in the force field between literary theory, comparative media studies, and new materialism, Book Presence in a Digital Age brims over with fresh, insightful, and nuanced explorations of the shifting contours of bookishness in the information age. By means of richly variegated points of entry, it demonstrates how print artifacts, far from hovering at the margins of the digital media ecology, have emerged as one of the defining laboratories for the elaboration of contemporary cultural forms. ― Jeffrey Schnapp, Faculty Director of metaLAB, Harvard University, USA About the Author Kiene Brillenburg Wurthis Professor of Literature and Comparative Media at the University of Utrecht, The Netherlands, and project leader of the VIDI project "Back to the Book†? funded by the Dutch Research Council. She is the author of Musically Sublime: Infinity, Indeterminacy, Irresolvability (2009) and the editor of Between Page and Screen: Remaking Literature Through Cinema and Cyberspace (2012).Kári Driscoll is Assistant Professor of Comparative Literature at the University of Utrecht, the Netherlands.Jessica Pressmanis Visiting Assistant Professor of English and Comparative at San Diego State University, USA. She is the author, most recently, of Digital Modernism: Making It New in New Media (2014) and co-editor (with N. Katherine Hayles) of Comparative Textual Media: Transforming the Humanities in a Postprint Era (2013).