Lexington Books Temporalities of Post-Yugoslav Literature: The Politics of Time

This book examines the theoretical devices of "Yugoslav" and "post-Yugoslav" literature. The author analyzes selected literary examples from the region through the lens of a contemporary post-Deleuzean philosophy of time, extricating discussions of post-ism from traditional chronological framing. Review Aleksandar Mijatovic analyzes an aspect of the concept of post-Yugoslav literature that is usually not systematically reflected upon: temporality. He points out different levels of meaning which depend on the underlying concepts and spellings. Mijatovic prefers the spelling with a parenthesized and hyphenated 'post' because it indicates, according to Emmanuel Lévinas and Homi K. Bhabha, a simultaneity of the idea and its image(s), and emphasizes the meanwhile as the relevant time. A multiple and de-synchronized concept of time is outlined from a philosophical perspective and discussed with regard to literary works by Dasa Drndic, Dubravka Ugresic, and David Albahari. This is a must-read!--Diana Hitzke, Justus Liebig University Giessen Aleksandar Mijatovic proposes a temporally conceived conceptualization of post-Yugoslav literature in terms of asynchronous simultaneity explicitly countering what he perceives to be the homogenizing and stabilizing trends in much of post-Yugoslav studies. In an intriguing blend of continental philosophy, postcolonial theory, memory studies, and what can only be called a theoretically acute tour de force, Mijatovic enlists thinkers as diverse as Homi Bhabha, Walter Benjamin, Paul Ricoeur, and Gilles Deleuze for his compelling discussions of a range of post-Yugoslav literary texts. Temporalities of Post-Yugoslav Literature is a welcome and incisive intervention in the theorization of post-Yugoslav studies, contemporary literature, and literary temporality.--Ridvan Askin, University of Basel Mijatovic's book underlines the importance of temporal structures in defining literary phenomena, thus especially reconsidering actual approaches to post-Yugoslav literature. Social, economic, and political processes are therefore interpreted as pure deflections, unwilling to be subordinated or framed by a single historical or ideological flow, whereby the term of 'post-Yugoslav literature, ' as an asynchronous simultaneity, often engages with its counterparts--i.e. transnationalism, cosmopolitism and multiculturalism--in a most compelling way. Mijatovic offers a vivid understanding of the idea of national literature, as well as its representative figures--Antun Barac and Pavle Popovic, Dasa Drndic, Dubravka Ugresic, David Albahari etc.--stemming from different discourses and origins--from ethnic, linguistic, social, class, racial, cultural, all the way to tribal, thus utterly fragmented and partial. State-centered concepts of literary field, as well as those endorsed by linguistic advocacy, are therefore successfully deconstructed by Mijatovic's employment of asynchronous simultaneity, inspired by various notions of time as discussed by Bergson, Benjamin, Bhabha, Deleuze, Lévinas, Lyotard, Massumi, and Ricoeur.--Leo Rafolt, Josip Juraj Strossmayer University of Osijek Using innovative approaches to the contested realm of post-Yugoslav literatures, Aleksandar Mijatovic examines literary works of several significant figures, including Danilo Kis, Dasa Drndic, Dubravka Ugresic, and David Albahari. Theorizing the notion of temporality to analyze the multi-layered notion of Yugoslavia, Mijatovic incisively speaks to the process of painful political and cultural transition during breakup of the common imaginary space into the newly conceived notions of national literature in each of its constituent republics. This work continues the tradition of comparative Slavic studies and takes them in a direction that is both fruitful and insightful for every scholar of the South Slavic region.--Tomislav Z. Longinovic, University of Wisconsin-Madison In the present of unfinished and deva