Lexington Books The Novel of a Novel: Abridged Diary Entries from Moscow, 1935-1937

One of the first critiques of Stalinism from within the communist movement, The Novel of a Novel is a memoir in the form of a journal. It was first published in Yugoslavia in 1955 based on the journal, letters, clippings, and other materials kept by the Hungarian-Jewish novelist Ervin Sinkó during his two years in Moscow between 1935 and 1937, years in which the Soviet cultural policy of the Popular Front was giving way to the Great Terror. Sinkó and his wife travelled to the home of socialism with great hopes. He had just completed his novel Optimists on the Hungarian Revolutions of 1918-1919 but could not find a publisher for it in Depression-era Paris. He went to Moscow at the urging of Romain Rolland and at the invitation of VOKS, both promoters of the Soviet Union as the center of a new civilization. Sinkó's optimism however soon gave way to grave doubts. Fearful publishers kept him in limbo and starving despite the support that Sinkó had from Béla Kun and Alfred Kurella of the Comintern. Sinkó deplored the over-centralization of cultural policy, attacks against the avant-guard, the forcing of Socialist Realism, the cult of Stalin, the reverses on abortion, the development of a privileged class of managers and Stakhanovist workers, and finally, the advent of the show trials. He tried to understand these developments through conversations with a great many people of the German and Hungarian communist diasporas, the visiting French Left, and local Russians among whom he was allowed to live. In the second year of his stay, the Sinkós shared an apartment with the writer Isaac Babel and his wife, Pirizhkova. The story of the tragic misunderstanding that ensued between the two men reveals much about Babel's difficult situation and about the limits of Sinkó's understanding of the Terror. The Sinkós were fortunate to be expelled from the country. But even back in France, Sinkó was prevented by his fear of the fascist threat from openly criticizing the Soviet Union. It was a miracle that the couple survived both the terror and the Holocaust. Review . . . . Ervin Sinkó's The Novel of Novel a thought-provoking journey into the psyche of a man, who, through all his self-questioning struggles, provides us with an invaluable insight into the "how"s and "why"s of twentieth-century history. It is a novel that more people around the world should read, and George Deák's fine English translation might help it accomplish this goal.--Hungarian Cultural Studies 'It is not easy to be a revolutionary in the country of the victorious revolution.' Ervin Sinkó's diary of the two years he spent in Stalin's Moscow at the time of the show trials is a jewel, offering a very rare account of the dilemmas and contradictions faced by a Central European anti-fascist intellectual confronted by the realities of Soviet life and politics. Sinkó analyzes with great lucidity how the regime molds its citizens' behavior and worms itself into their minds. A denizen of Moscow's literary and cinematic world, he also gives the reader a vivid picture of the anxiety, compromise, and defiance involved in surviving as an artist and a human being. With a brilliant introduction by translator George Deák, this is an essential book on the utopian hopes invested in the Russian Revolution, and their disappointment.--Brigitte Studer, University of Bern A frank and sober witness testimony by a Western revolutionary writer written in the Soviet Union in 1935-37, in the days of growing repression and political purges. Ervin Sinkó's contemporary diaries were written under unique circumstances, as the writer struggled in the Kafkaesque maze of the Soviet 'cultural' and literary labyrinth. Sinkó has put on record controversial public and private debates about the Moscow Trials amongst the major Western supporters of the Soviet Union--Romain Rolland, André Malraux, Jean-Richard Bloch, and others. His account of the fear-induced behaviors by the Soviet cultura