Duke University Press Sound Alignments: Popular Music in Asia's Cold Wars

In Sound Alignments, a transnational group of scholars explores the myriad forms of popular music that circulated across Asia during the Cold War. Challenging the conventional alignments and periodizations of Western cultural histories of the Cold War, they trace the routes of popular music, examining how it took on new meanings and significance as it traveled across Asia, from India to Indonesia, Hong Kong to South Korea, China to Japan. From studies of how popular musical styles from the Americas and Europe were adapted to meet local exigencies to how socialist-bloc and nonaligned Cold War organizations facilitated the circulation of popular music throughout the region, the contributors outline how music forged and challenged alliances, revolutions, and countercultures. They also show how the Cold War's legacy shapes contemporary culture, particularly in the ways 1990s and 2000s J-pop and K-pop are rooted in American attempts to foster economic exchange in East Asia in the 1960s.Throughout, Sound Alignments demonstrates that the experiences of the Cold War in Asia were as diverse and dynamic as the music heard and performed in it. Contributors. Marié Abe, Michael K. Bourdaghs, Paola Iovene, Nisha Kommattam, Jennifer Lindsay, Kaley Mason, Anna Schultz, Hyunjoon Shin, C. J. W.-L. Wee, Hon-Lun (Helan) Yang, Christine R. Yano, Qian Zhang Review "Giving readers a happily cacophonous remapping of the sounds of the Cold War, Sound Alignments is an intellectually stimulating and multidimensional contribution to the study of twentieth-century popular music and the global culture of the Cold War."--Andrew F. Jones, author of "Circuit Listening: Chinese Popular Music in the Global 1960s" "With this vital addition to the growing literature in global music studies, the contributors to Sound Alignments reveal the vernacular cosmopolitanism of Asian popular music as a crucial dimension of Cold War cultural politics, nationalist policies, and internationalist rhetorics. An essential mapping of sonic history and musical mediation."--David Novak, author of "Japanoise: Music at the Edge of Circulation" About the Author Michael K. Bourdaghs is Robert S. Ingersoll Professor of East Asian Languages and Civilizations at the University of Chicago. He is the author of Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop. Paola Iovene is Associate Professor in East Asian Languages and Civilizations at the University of Chicago. She is the author of Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China. Kaley Mason is Assistant Professor of Music at Lewis and Clark College.