Edinburgh University Press Intercultural Screen Adaptation: British and Global Case Studies

Product Description Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts. With screen adaptations examined from across Britain, Europe, South America and Asia, this book tests how examining the processes of adaptation across and within national frameworks challenges traditional debates around the concept of nation in film, media and cultural studies. With case studies of films such as Under the Skin (2013) and T2: Trainspotting (2017), as well as TV adaptations like War and Peace (2016) and Narcos (2015 - 2017), Intercultural Screen Adaptation offers readers an invigorating look at adaptations from a variety of critical perspectives, incorporating the uses of landscape, nostalgia and translation. From the Inside Flap 'The global reach of this collection is insightful and informative. Viewing adaptation as "encounter, journey, method" in the context of international film-making enables us to explore important and pressing questions of global flow and complex (trans)national identities.' Julie Sanders, Newcastle University Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts. With screen adaptations examined from across Britain, Europe, South America and Asia, the book tests how examining the processes of adaptation across and within national frameworks can challenge traditional debates around the concept of nation in film, media and cultural studies. Case studies of films such as Under the Skin (2013) and T2: Trainspotting (2017), as well as TV adaptations like War and Peace (2016) and Narcos (2015-17) offer readers an invigorating look at adaptations from a variety of critical perspectives, incorporating the uses of landscape, nostalgia and translation. Michael Stewart is Senior Lecturer in Film at Queen Margaret University, Edinburgh. Robert Munro is Lecturer in Digital Media and Communication at Queen Margaret University, Edinburgh. Cover image: Scarlett Johansson in Under the Skin, Jonathan Glazer, 2013 (c) A24/Photofest Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-5203-8 Barcode From the Back Cover 'The global reach of this collection is insightful and informative. Viewing adaptation as encounter, journey, method in the context of international film-making enables us to explore important and pressing questions of global flow and complex (trans)national identities.' Julie Sanders, Newcastle University Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts. With screen adaptations examined from across Britain, Europe, South America and Asia, the book tests how examining the processes of adaptation across and within national frameworks can challenge traditional debates around the concept of nation in film, media and cultural studies. Case studies of films such as Under the Skin (2013) and T2: Trainspotting (2017), as well as TV adaptations like War and Peace (2016) and Narcos (2015-17) offer readers an invigorating look at adaptations from a variety of critical perspectives, incorporating the uses of landscape, nostalgia and translation. Michael Stewart is Senior Lecturer in Film at Queen Margaret University, Edinburgh. Robert Munro is Lecturer in Digital Media and Communication at Queen Margaret University, Edinburgh. Cover image: Scarlett Johansson in Under the Skin, Jonathan Glazer, 2013 (c) A24/Photofest Cover design: [EUP logo] edinburghuniversitypress.com ISBN 978-1-4744-5203-8 Barcode