Routledge Russian and Soviet Film Adaptations of Literature, 1900-2001: Screening the Word (BASEES/Routledge Series on Russian and East European Studies)

About the Author Stephen Hutchings is Professor of Russian at the University of Surrey. Recipient of two large AHRB grants and author of monographs on Leonid Andreev, Russian Modernism, and Russian literature's relationship with the camera, he is currently researching post-Soviet television culture.Anat Vernitski is Lecturer in Russian at the School of Slavonic and East European Studies, University College London. She published on twentieth-century Russian literature and on cultural representations of Orthodox Christianity. She is currently researching Russian émigré literature of the 1920s and 1930s. Product Description Providing many interesting case studies and bringing together many leading authorities on the subject, this book examines the importance of film adaptations of literature in Russian cinema, especially during the Soviet period when the cinema was accorded a vital role in imposing the authority of the communist regime on the consciousness of the Soviet people. Review 'While each article addresses different theoretical approaches, and strives to answer dissimilar questions, they are unified by the book's mission, and the collection as a whole manages to create an illuminating overall picture of the development of Russian/Soviet/post-Sovietekranizatsii...This collection is a perceptive overview and agreat reference book--for the curious general reader as well as for the specialist--which can be used as a textbook for a course on Russian literature and cinema, as an insightful addition to a course on Socialist Realism, or as a source for anyone interested in Soviet and Post-Soviet culture."-Slavic and East European Journal, 50.2 (Summer 2006)'This volume contains thorough studies, which in their entirety do justice to the editor's claim of providing a general overview, as set out in the introduction.'- MLR, 102.1, 2007'The contributors develop useful paradigms for every decade and illustrate them with examples. These ten pages alone represent a comprehensive history of film adaptions, which illustrates the complex interaction between ideological premisses and a reassessment of the great writers of Russian and Soviet literature, as well as world literature.' - Christine Engel, University of Innsbruck