Routledge Queering Autoethnography

Queering Autoethnography articulates for the first time the possibilities and politics of queering autoethnography, both in theoretical terms and as an intervention into narratives and cultures of apology, shame and fear. Despite the so-called mainstreaming of same-sex relationships and trans* visibility, many within gender’s ‘liminal zone’ remain invisible and unrecognized, existing somewhere outside of heteronormative relationships and institutions. At the same time, the political and scholarly potential of autoethnography is expanding, particularly in its potential to evoke empathic and affective responses at a time of public numbness, a practice crucial to making scholarly research relevant to the work of global citizenship and crafting meaningful lives. This volume considers flash points in contemporary scholarly and popular culture such as queer memorializing and mourning; unintelligibility and monstrosity; physical, digital and cultural transformations of queer lives and bodies; the power and danger wrought in the public assembly of queer people in a culture of massacre; and the promise of queer futurities in the contemporary moment. It also makes original theoretical contributions that include concepts such as massacre culture, queer terror, mundane annihilations, and activist affect. The authors write these ideas in action, joining theory and story as a contact zone for analysis, critique and change. Review A stunning accomplishment, moving the discourse on autoethnography, politics, practice and the performing body to new levels. Defines the field for the next generation. Norman K. Denzin, Emeritus Professor of Sociology, University of Illinois To be, or not to be, queer. That is not the question. It is not a dilemma. It is a positionality of being and seeing and knowing oneself and others in the world. To queer is a critical act of politicized being, of seeing and calling others to attend to the realities of the everyday; and especially to recover the disregarded/discarded/disremembered other. In their new book, Queering Autoethnography, Stacy Holman Jones and Anne Harris chart a positionality in research on contemporary global cultures; not a stance but a politicized and practiced path for exploring the complexity of queering autoethnography as a point of entry and departure, as self-reflection, self-portraiture, self-renewing; and establishing an ocular epistemology as method of queering monuments, massacres, movements, Mx, monsters, and memory through the critical articulation of lived experience. The alliteration of their intense focus is not merely literary device, though this work signals and embodies the criticality of performative writing. The technique signals a repetition of consonance and its opposite in everyday life to which queering becomes a tool of mining or excavating ways of seeing and knowing. Thus, offering strategies of engagement to remake the world, anew. This important work exemplifies the reflexive turn in performance and sociological research by focusing not only on queering and autoethnography as separate critical methodologies but turns the critical focus of each, on and at the service of the other. Hence, not only instantiating an act of queering autoethnography, but autoethnographically queering as an embodied praxis. Queering Autoethnography is a must read for those exploring the interdisciplinary complexities of critical sense-making through queering and autoethnography, and what happens when the two co-inform ways of seeing contemporary global cultures from the mundane to the spectacular. Bryant Keith Alexander, PhD, Professor of Communication and Performance Studies, and Dean, College of Communication and Fine Arts, Loyola Marymount University Queering Autoethnography is a risky, inspired, and transformative book that adds new and critically important dimensions to autoethnographic inquiry by showing us how to deploy queering practices that can