Cambridge University Press Sound Recording Technology and American Literature: From the Phonograph to the Remix: 187 (Cambridge Studies in American Literature and Culture, Series Number 187)

Phonographs, tapes, stereo LPs, digital remix - how did these remarkable technologies impact American writing? This book explores how twentieth-century writers shaped the ways we listen in our multimedia present. Uncovering a rich new archive of materials, this book offers a resonant reading of how writers across several genres, such as John Dos Passos, Langston Hughes, William S. Burroughs, and others, navigated the intermedial spaces between texts and recordings. Numerous scholars have taken up remix - a term co-opted from DJs and sound engineers - as the defining aesthetic of twenty-first century art and literature. Others have examined modernism's debt to the phonograph. But in the gap between these moments, one finds that the reciprocal relationship between the literary arts and sonic technologies continued to evolve over the twentieth century. A mix of American literary history, sound studies, and media archaeology, this interdisciplinary study will appeal to scholars, students, and audiophiles. Book Description This book investigates the sustained engagement between American literature and sound recording technologies during the twentieth century. About the Author Jessica E. Teague is an Assistant Professor of English at the University of Nevada, Las Vegas. The intersections between literature, sound, and technology are the focus of her research. Her work has been published in journals such as American Quarterly and Sound Studies.