Collective Management of Music Copyright: A Comparative Analysis of China, the United States and Australia (Routledge Research in Intellectual Property) - Image 1

£136.81

Routledge Collective Management of Music Copyright: A Comparative Analysis of China, the United States and Australia (Routledge Research in Intellectual Property)

Name: Collective Management of Music Copyright: A Comparative Analysis of China, the United States and Australia (Routledge Research in Intellectual Property)
Brand: Routledge
Price: 136.81 GBP
Availability: InStock

Business

This is the most expensive it has ever been. Walk away.

£137 today · previous high £137 · all-time low £136

NEW HERE?

Amazon shows you one price. We show you all of them.

Tosheroon watches Amazon prices so you don't have to. Every product on Amazon has a price history — we make it visible. Set the price you'd actually pay, and we'll email you the second it gets there. No app, no account, one email.

WHAT'S ON THIS PAGE

↓ Price chart
when this has been cheap or pricey

↓ Forecast
where the price is heading next

↓ Statistics
all-time high & low, recent range

↑ Price alert
name your number, we'll email you

Price History & Forecast

Grey patches = out of stock. Cheaper = lower on the chart. Hover for exact prices.

Last 59 days • 59 data points (No recent data available)

Historical

Generating forecast...

Price Distribution

Price distribution over 59 days • 2 price levels

Days at Price

Current Price

Price Analysis

Most common price: £136 (37 days, 62.7%)

Price range: £136 - £137

Price levels: 2 different prices over 59 days

Description

Two of the objectives of the Chinese Copyright Law are to protect the copyright of authors to their literary and artistic works and encourage the creation and dissemination of works. In practice, however, in spite of the existence of the Music Copyright Society of China ('MCSC') that was established to assist with exercising copyright, music creators in China remain in need of help to protect and manage their fragmented copyright. The MCSC was the first collective management organisation ('CMO') in mainland China and is the only CMO in the field of musical works. While there is a large music industry and copyright business in China, the MCSC only had 11,356 members at the end of 2021. The third amendment of the Chinese Copyright Law was initiated in 2011 and came into effect in June 2021 after a long debate for almost ten years. The discussion of the third amendment has highlighted the controversial topic of collective management of copyright. This book explores the adequacy of the MCSC as an intermediary representing rights for music creators. The main argument developed in this study is that the work of the MCSC for individual composers and lyricists is hampered by shortcomings in the regulatory regime as well as by a lack of members’ rights to participate in the management of their own rights and by the ineffective international cooperation between the MCSC and other musical CMOs overseas. The analysis is undertaken through a case study approach, comparing the collective management systems of music copyright in China, the United States and Australia and addressing the question of how musical CMOs operate in these countries. Specifically, three perspectives are examined: the regulatory systems designed to limit the misuse of those CMOs’ monopoly, members’ rights in the organisations, and international cooperation between these CMOs. Overall, the main findings of this book suggest that the MCSC in China could work more effectively to protect music creators’ interests. In contrast, although the operational frameworks of the American Society of Composers, Authors and Publishers ('ASCAP') and the Broadcasting Broadcast Music, Inc. ('BMI') in the United States and the Australasian Performing Right Association ('APRA') in Australia are not perfect models, the systems in these two countries may at least provide reference points for potential improvement of the regime of the MCSC. The research recommends three courses of action: strengthening the regulatory design overseeing the MCSC’s monopoly, clarifying the relationship between the MCSC and its members while providing the members with the right to manage their own copyright, and improving the international cooperation between the MCSC and CMOs in other countries.

Product Specifications

Brand: Routledge
Format: hardcover
ASIN: 1032281022
Category: Books > Subjects > Arts & Photography > Music > Business
Domain: Amazon UK
Release Date: 17 April 2023
Listed Since: 25 October 2022

Barcode

No barcode data available

Routledge Collective Management of Music Copyright: A Comparative Analysis of China, the United States and Australia (Routledge Research in Intellectual Property)

This is the most expensive it has ever been. Walk away.

Price History & Forecast

Price Distribution

Price Analysis

Description

Product Specifications

Barcode

Similar Products You Might Like

Copyright in the Music Industry: A Practical Guide to Exploiting and Enforcing Rights (Elgar Practical Guides)

Copyright in the Music Industry: A Practical Guide to Exploiting and Enforcing Rights (Elgar Practical Guides)

Music Licensing & Copyright: An Overview of Issues & the Legal Framework (Intellectual Property in the 21st Century)

Balancing Copyright - A Survey of National Approaches: 18 (MPI Studies on Intellectual Property and Competition Law, 18)

Copyright in the Cultural Industries

Urhebervertragsrecht in der Reform: Der "Kölner Entwurf" in Text, Erläuterung und Kritik: 13 (Bibliothek des Eigentums, 13)

Online Music Distribution - How Much Exclusivity Is Needed?: A Study of International, European, German and U.S. Copyright Systems and Their ... Studies on Innovation and Competition, 12)

Copyright Law and the Information Society in Asia: 26 (Studies in Industrial Property and Copyright Law)

Copyright Law and Computer Programs: The Role of Communication in Legal Structure (Transnational Business and Corporate Culture)

Durationator Copyright Files: Foundational Concepts in Usability (Just Wanna)

Forensic Musicology and the Blurred Lines of Federal Copyright History

Praxishandbuch Musikrecht: Ein Leitfaden für Musik- und Medienschaffende

Conceptualizing Copyright Exceptions in China and South Africa: A Developing View from the Developing Countries: 6 (China-EU Law Series, 6)

Landmark Copyright Cases in China: An In-Depth Analysis

Music Contracts in the Streaming Age: Law and Policy in the European Union and the United Kingdom (Cambridge Intellectual Property and Information Law)

Copyright in a Global Information Society: The Scope of Copyright Protection Under international, US, UK and french Law: 5 (Studies in Law)

Copyright & Creativity in the Digital Economy: Balancing Policy, Protection & Innovation (Internet Policies and Issues)

Concepts of Music and Copyright: How Music Perceives Itself and How Copyright Perceives Music

Codification of European Copyright Law: Challenges and Perspectives ( Information Law Series 29)

International Copyright and Neighbouring Rights: The Berne Convention and Beyond

Toward A More Balanced Approach: Rethinking and Readjusting Copyright Systems in the Digital Network Era

Copyright Enforcement and the Internet (Information Law Series, 21)

Licensing and Access to Content in the European Union: Regulation between Copyright and Competition Law: 49 (Cambridge Intellectual Property and Information Law, Series Number 49)

Handbook on the Economics of Copyright: A Guide for Students and Teachers