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Cambridge University Press Face and Form: Physiognomy in Literary Modernism

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£89.99 £75.41 £78.60 £81.77 £84.96 £88.13 £91.32 26 July 2026 08 August 2026 22 August 2026 05 September 2026 19 September 2026
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Price range: £77 - £90

Price levels: 3 different prices over 56 days

Description

Faces, faces, faces – faces everywhere! Modernism was obsessed with the ubiquity of the human face. Thomas Mann, Marcel Proust, Virginia Woolf, Gertrude Stein, and, later, Kōbō Abe framed their literary projects around the question of the face, its dynamic of legibility and opacity. In literary modernism, the face functioned as a proxy for form, memory, intermediality, or difference – and combinations thereof. The old pseudo-science of physiognomy, which assumed faces to be sites of legible meaning, was in the process reconfigured. Modernist faces lost their connection to interiority, but remained surfaces of reading and interpretation. As such, they also became canvases for creative appropriation, what Mina Loy called auto-facial-construction. The modernist overinvestment in faces functions as a warning against the return of physiognomy in contemporary technologies of facial recognition. This title is also available as open access on Cambridge Core.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
04 September 2025
Listed Since
03 February 2025

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