University of Pennsylvania Press Gothic Subjects: The Transformation of Individualism in American Fiction, 179-1861

Beginning in the 1790s, North American readers developed an appetite for the gothic novel, as imported, reprinted, and pirated editions of British and European romances flooded the market alongside homegrown works. In Gothic Subjects, Siân Silyn Roberts accounts for the sudden and considerable appeal of the gothic during this period by contending that it prepared a culturally diverse American readership to think of itself as part of a transatlantic world through which goods, people, and information could circulate. By putting gothic literature in dialogue with the writings of Locke, Hume, Reid, Smith, Rousseau, and other major figures of the European Enlightenment, Silyn Roberts shows how the early American novel participated in the process of revising and transforming the figure of the modern individual for a fluid, contingent Atlantic population. Exploring works of fiction by Charles Brockden Brown, Leonora Sansay, Sally Sayward Barrell Keating Wood, Edgar Allan Poe, Robert Montgomery Bird, Nathaniel Hawthorne, and William Wells Brown, among others, Silyn Roberts argues that the gothic helped post-Revolutionary readers to think of themselves as political subjects. By reading the emergence of a national literary style in terms of its appropriation and reinterpretation of British cultural forms, Gothic Subjects situates itself at the crux of several important issues in American literary history: transatlantic literary relations, the connection between literature and political philosophy, the paradoxes of sovereign power, and the form of the novel. In doing so, Gothic Subjects powerfully rethinks some of our previous assumptions about the cultural work of the American gothic tradition. Review "Silyn Roberts offers a fresh and original approach to the American gothic—one that sheds new light on the cultural work of the early American novel and does so in a transatlantic context."—Elizabeth Maddock Dillon, Northeastern University "Readers interested in US intellectual history, political philosophy, and the history of the novel generally or the gothic specifically will be particularly interested in Roberts's study. Her selection and close reading of a wide array of literary texts is engaging, drawing intriguing connections to demonstrate a curious coherence around a set of profound questions about nationhood, selfhood, and citizenship."—Modern Philology From the Author Sian Silyn Roberts teaches English at Queens College, CUNY. About the Author Sian Silyn Roberts teaches English at Queens College, CUNY. Excerpt. © Reprinted by permission. All rights reserved. Introduction The Gothic Enlightenment In order to make a concrete analysis of power relations, we must abandon the juridical model of sovereignty. That model in effect presupposes that the individual is a subject with natural rights or primitive powers; it sets itself the task of accounting for the ideal genesis of the State; and finally, it makes the law the basic manifestation of power. We should be trying to study power not on the basis of the primitive terms of the relationship, but on the basis of the relationship itself, to the extent that it is the relationship itself that determines the elements on which it bears: rather than asking ideal subjects what part of themselves or their powers they have surrendered in order to let themselves become subjects, we have to look at how relations of subjugation can manufacture subjects. Similarly, rather than looking for the single form or the central point from which all forms of power derive, either by way of consequence or development, we must begin by letting them operate in their multiplicity, their differences, their specificity, and their reversibility; we must therefore study them as relations of force that intersect, refer to one another, converge, or, on the contrary, come into conflict and strive to negate one another. —Michel Foucault, Societ