The Deceivers: Art Forgery and Identity in the Nineteenth Century - Image 1

£37.66

Cornell University Press The Deceivers: Art Forgery and Identity in the Nineteenth Century

Name: The Deceivers: Art Forgery and Identity in the Nineteenth Century
Brand: Cornell University Press
Price: 37.66 GBP
Availability: InStock

Themes & Concepts

This is the usual price. Wait for it to drop, or tell us your number.

£38 today · usual range £0–£0 · best ever £20

NEW HERE?

Amazon shows you one price. We show you all of them.

Tosheroon watches Amazon prices so you don't have to. Every product on Amazon has a price history — we make it visible. Set the price you'd actually pay, and we'll email you the second it gets there. No app, no account, one email.

WHAT'S ON THIS PAGE

↓ Price chart
when this has been cheap or pricey

↓ Forecast
where the price is heading next

↓ Statistics
all-time high & low, recent range

↑ Price alert
name your number, we'll email you

Price History & Forecast

Grey patches = out of stock. Cheaper = lower on the chart. Hover for exact prices.

Last 621 days • 621 data points (No recent data available)

Historical

Generating forecast...

Price Distribution

Price distribution over 621 days • 5 price ranges

Days at Price

Current Price

Price Analysis

Most common range: £27-34 (194 days, 31.2%)

Price range: £20 - £55

Price levels: 5 price ranges over 621 days

Description

The nineteenth century witnessed an unprecedented increase in art forgery, caused both by the advent of national museums and by a rapidly growing bourgeois interest in collecting objects from the past. This rise had profound repercussions on notions of selfhood and national identity within and outside the realm of art. Although art critics denounced forgery for its affront to artistic traditions, they were fascinated by its power to shape the human and object worlds and adopted a language of art forgery to articulate a link between the making of fakes and the making of selves. The Deceivers explores the intersections among artistic crime, literary narrative, and the definition of identity. Literary texts joined more specialized artistic discourses in describing the various identities associated with art forgery: the forger, the copyist, the art expert, the dealer, the restorer. Built into new characters were assumptions about gender, sexuality, race, and nationality that themselves would come to be presented in a language of artistic authenticity. Aviva Briefel places special emphasis on the gendered distinction between male forgers and female copyists. "Copying," a benign occupation when undertaken by a woman, became "forgery," laden with criminal intent, when performed by men. Those who could successfully produce, handle, or detect spurious things and selves were distinguished from others who were incapable of distinguishing the authentic from the artistic and human forgeries. Through close reading of literary narratives such as Trilby and The Marble Faun as well as newspaper accounts of forgery scandals, The Deceivers reveals the identities―both authentic and fake―that emerged from the Victorian culture of forgery.

Key Features

Used Book in Good Condition

Product type: ABIS BOOK

Brand: Cornell University Press

Product Specifications

Brand: Cornell University Press
Format: hardcover
ASIN: 0801444608
Category: Books > Subjects > Arts & Photography > Themes & Concepts
Domain: Amazon UK
Release Date: 16 August 2006
Listed Since: 08 December 2006

Barcode

No barcode data available

Cornell University Press The Deceivers: Art Forgery and Identity in the Nineteenth Century

This is the usual price. Wait for it to drop, or tell us your number.

Price History & Forecast

Price Distribution

Price Analysis

Description

Key Features

Product Specifications

Barcode

Similar Products You Might Like

Collectors, Scholars, and Forgers in the Ancient World: Object Lessons

Forgery Beyond Deceit: Fabrication, Value, and the Desire for Ancient Rome

Fake Art of Deception

Routledge Inganno - The Art of Deception in Early Modern Art

Brill Faking It! - Performance of Forgery in Medieval Culture

Digital Image Forensics: Theory and Implementation: 755 (Studies in Computational Intelligence, 755)

Looking Askance – Skepticism and American Art from Eakins to Duchamp

The Expert Versus the Object:: Judging Fakes and False Attributions in the Visual Arts

The Forger's Creed: Reinventing Art History in Early Modern China

Silence and the Silenced: Interdisciplinary Perspectives: 119 (Studies on Themes and Motifs in Literature)

Deception and Deceptive Communication: Motivations, Recognition Techniques and Behavioral Control (Psychology of Emotions, Motivations and Actions)

Scientific Investigation of Copies, Fakes and Forgeries

Scientific Investigation of Copies, Fakes and Forgeries

Mendacity and the Figure of the Liar in Seventeenth-Century French Comedy (Routledge Studies in Renaissance Literature and Culture)

George Eliot’s Moral Aesthetic: Compelling Contradictions (Routledge Studies in Nineteenth Century Literature)

Women Art Critics in Nineteenth-century France: Vanishing Acts

Plotting Disability in the Nineteenth-Century Novel (Edinburgh Critical Studies in Victorian Culture)

SUBTERFUGE - The DANIEL MADISON MAGIC Lectures

Asymptote: An Approach to Decadent Fiction: 338 (Faux Titre, 338)

Deceitful Media: Artificial Intelligence and Social Life after the Turing Test

Dante Hacked: Dante Hackerato

SUBTERFUGE - The DANIEL MADISON MAGIC Lectures

SUBTERFUGE: The MALLIANCE Edition

Rewriting Texts Remaking Images: Interdisciplinary Perspectives: 103 (Studies on Themes and Motifs in Literature)