£154.12

Routledge Inganno - The Art of Deception in Early Modern Art

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Description

This scholarly volume from Routledge examines the complex history of copies, imitations, and deliberate forgeries in early modern art from the sixteenth to eighteenth centuries. Through focused case studies, contributors analyse how artists and audiences engaged with the concept of inganno - or deception - in the creation and viewing of artworks across paintings, prints, and sculptures. The essays investigate contemporary sensibilities surrounding the fine line between imitation and fakery, exploring how deception was sometimes regarded as pleasurable or desirable within artistic practice. The collection addresses broader questions about the dissemination, reception, and use of copied works within art history, revealing how Renaissance and baroque societies understood authenticity, originality, and artistic value in ways fundamentally different from modern perspectives.

Key Features

Inganno explores copies and forgeries in sixteenth to eighteenth-century paintings, prints, and sculptures across multiple European contexts.

Contributors examine the reception and dissemination of copied artworks, revealing how artists and audiences understood deception in early modern art.

The collection analyses the distinction between imitation and fakery through specific case studies that illuminate period attitudes toward artistic authenticity.

Routledge's Visual Culture in Early Modernity series contextualises inganno within broader early modern aesthetic and cultural practices.

Essays investigate pleasurable deception in artmaking and viewing, challenging modern assumptions about originality and artistic value.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
28 July 2012
Listed Since
17 August 2011

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