Fictions and Fakes: Forging Romantic Authenticity, 1760–1845: 64 (Cambridge Studies in Romanticism, Series Number 64) - Image 1

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Cambridge University Press Fictions and Fakes: Forging Romantic Authenticity, 1760–1845: 64 (Cambridge Studies in Romanticism, Series Number 64)

Name: Fictions and Fakes: Forging Romantic Authenticity, 1760-1845: 64 (Cambridge Studies in Romanticism, Series Number 64)
Brand: Cambridge University Press
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Literature & Fiction

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British Romantic literature descends from a line of impostors, forgers and frauds. Through a series of case-studies - beginning with the golden age of forgery in the late eighteenth century and continuing through canonical Romanticism and its aftermath - Margaret Russett demonstrates how Romantic writers distinguished their fictions from the fakes surrounding them. This 2006 book examines canonical and lesser-known Romantic works alongside fakes such as Thomas Chatterton's medieval poems and 'Caraboo', the impostor-princess. Through original readings of works by Wordsworth, Coleridge, Byron, Walter Scott, John Clare, and James Hogg, as well as chapters on impostors in popular culture, Russett's interdisciplinary and wide-ranging study offers a major reinterpretation of Romanticism and its continuing influence today.

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Brand: Cambridge University Press
Format: hardcover
ASIN: 0521850789
Category: Books > Subjects > Literature & Fiction
Domain: Amazon UK
Release Date: 02 February 2006
Listed Since: 04 January 2007

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Cambridge University Press Fictions and Fakes: Forging Romantic Authenticity, 1760–1845: 64 (Cambridge Studies in Romanticism, Series Number 64)

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Cambridge University Press Fictions and Fakes: Forging Romantic Authenticity, 1760–1845: 64 (Cambridge Studies in Romanticism, Series Number 64)

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