Routledge The Digital Media Handbook (Media Practice)

Product Description The new edition of The Digital Media Handbook presents an essential guide to the historical and theoretical development of digital media, emphasising cultural continuity alongside technological change, and highlighting the emergence of new forms of communication in contemporary networked culture. Andrew Dewdney and Peter Ride present detailed critical commentary and descriptive historical accounts, as well as a series of interviews from a range of digital media practitioners, including producers, developers, curators and artists. The Digital Media Handbook highlights key concerns of today’s practitioners, analysing how they develop projects, interact and solve problems within the context of networked communication. The Digital Media Handbook includes: Essays on the history and theory of digital media Essays on contemporary issues and debates Interviews with digital media professionals A glossary of technical acronyms and key terms. Review 'This handbook is a well-organized guide to the historical, theoretical, and some of the practical developments of digital media. The authors successfully use interview content from a range of digital media practitioners. The revised handbook edition may be used in many ways and disciplines to explore digital media.' - Jennifer F. Wood, Millersville University of Pennsylvania, Communication Research Trends About the Author Andrew Dewdney is Professor of Educational Development at London South Bank University. He is Director of the Digital Art Gallery at London South Bank University and teaches about digital media in networked culture. He has a particular research interest in the impact of digital media upon museums and his recently co-authored book, Post Critical Museology: Theory and Practice in the Art Museum was published by Routledge in 2013. Peter Ride is Principal Research Fellow at the University of Westminster where he is Course Leader in the MA Museums, Galleries and Contemporary Culture. He works in the field of digital and visual culture. He is also a digital media and art curator and was previously the Artistic Director of The Digital Arts Development Agency (DA2).