University of Washington Press Writing the South Seas: Imagining the Nanyang in Chinese and Southeast Asian Postcolonial Literature

Postcolonial literature about the South Seas, or Nanyang, examines the history of Chinese migration, localization, and interethnic exchange in Southeast Asia, where Sinophone settler cultures evolved independently by adapting to their "New World" and mingling with native cultures. Writing the South Seas explains why Nanyang encounters, neglected by most literary histories, should be considered crucial to the national literatures of China and Southeast Asia. Review Bernards’ book is a successful rewriting of the contours of South East Asian Sinophone literature and identity, which shines a deserving postcolonial light onto its emergent national cultures. . . . Highlighting a space that frequently challenges definition, it deserves attention from postcolonial, Southeast Asian and Chinese specialists alike. Author: Zhou Hau Liew Source: Postcolonial Studies What permeates this entire volume is a maritime vocabulary representing not only the physical passages of people across the seas but, more important, the consequent traversals occurring in the realm of culture, language, and literature as Chinese immigrants adapt to a new environment. The result is a rich tapestry of writings that embody the experiential gamut of Chinese immigrants physically uprooted from their place of ancestry but unfailingly re-visioning a world amidst the changes. Author: Dinah Roma Source: Southeast Asian Studies Bernards’s meticulous conceptualization of ‘Nanyang’ as a novel theoretical idiom makes a salient contribution to the critical vocabulary of postcolonialism. Correcting the field’s geographical favouritism, Writing the South Seas provides a bracing account of the sinophone presence in Southeast Asia and prompts new reflections on the debatable positioning of China in postcolonial studies. Author: Cheow-Thia Chan Source: Journal of Postcolonial Writing Brian Bernards’ enjoyable and illuminating book successfully diversifies the way we think about national literatures as well as about Sinophone literature as essentially a diaspora phenomenon. . . . This book will prove an eye-opening read, not only for scholars and enthusiasts of Sinophone and southeast Asian literatures, but for linguists and literary scholars everywhere. Author: Astrid Moller-Olsen Source: New Books Asia Bernards’s meticulous conceptualization of ‘Nanyang’ as a novel theoretical idiom makes a salient contribution to the critical vocabulary of postcolonialism. Correcting the field’s geographical favouritism, Writing the South Seas provides a bracing account of the sinophone presence in Southeast Asia and prompts new reflections on the debatable positioning of China in postcolonial studies. Author: Cheow-Thia Chan Review Writing the South Seas is a most fascinating inquiry into the institutionalization and dissemination of overseas modern Chinese-language literature in Southeast Asia from the early modern era to the present day. Author: David Der-wei Wang, author of The Lyrical in Epic Time: Modern Chinese Intellectuals and Artists Through the 1949 Crisis From the Author Brian Bernards is associate professor of East Asian languages and cultures at the University of Southern California. He is the coeditor of Sinophone Studies: A Critical Reader. Source: Journal of Postcolonial Writing About the Author Brian Bernards is associate professor of East Asian languages and cultures at the University of Southern California. He is the coeditor of Sinophone Studies: A Critical Reader. ― Journal of Postcolonial Writing