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Oxford University Press The Language of Music - Clarendon Paperbacks

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£68.00 £40.38 £46.41 £52.43 £58.46 £64.48 £70.51 25 July 2026 16 August 2026 08 September 2026 30 September 2026 23 October 2026
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9 days 6 days 34 days · current 23 days 19 days 0 9 17 26 34 £43-48 £48-53 £53-58 £58-63 £63-68 Days at Price

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Price range: £43 - £68

Price levels: 5 price ranges over 91 days

Description

First published in 1959, this seminal study by Oxford University Press explores how music functions as a language that expresses and evokes emotion. The author argues that composers working with tonal music have consistently employed the same melodic phrases, harmonies, and rhythms to produce identical emotional responses in listeners. Drawing on hundreds of musical examples spanning from plainsong through to Stravinsky, the book demonstrates that music operates as a genuine language with identifiable idioms and measurable meanings. The analysis culminates in a detailed examination of two major symphonies - Mozart's Fortieth and Vaughan Williams' - applying the author's theoretical framework to these canonical works. This influential text remains essential reading for musicians, composers, students of music theory, and anyone seeking to understand the fundamental principles underlying musical communication and expression.

Key Features

The Language of Music presents hundreds of musical examples ranging from plainsong to twentieth-century composers like Stravinsky to illustrate emotional communication through music.

This Clarendon Paperbacks edition examines Mozart's Fortieth Symphony and Vaughan Williams' work as primary case studies for analysing how tonal composition affects listeners.

The book establishes that music functions as a language with identifiable idioms and meanings, supporting comprehensive analysis of melodic phrases, harmonies, and rhythmic patterns.

First published in 1959 by Oxford University Press, this text serves as foundational scholarship for music theory, composition studies, and performance interpretation.

The author contends that all composers using tonal systems employ closely similar musical devices to evoke consistent emotional responses, demonstrating universal principles in composition.

Product Specifications

Format
paperback
Domain
Amazon UK
Release Date
08 March 1990
Listed Since
06 February 2007

Barcode

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