£152.33

Routledge - The Viewer and the Printed Image in Late Medieval Europe

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Description

Explore the evolving world of early European visual culture with this scholarly work from Routledge. David Areford provides a synthetic historical narrative that reexamines early single-sheet prints through a unique lens. By focusing on the material and iconographic nature of these works, the book demonstrates how prints were highly accessible objects that functioned differently for various audiences. This volume moves beyond traditional studies by looking at how both lay and monastic viewers shaped and framed their experiences with the printed image. Through interconnected case studies, the text analyzes the unusual material qualities of prints in both the north and south of Europe. It is an essential resource for those studying the history of art, religious iconography, and the social impact of early printing technology in late medieval society.

Key Features

Provides a synthetic historical narrative regarding the development and use of early European single-sheet prints.

Utilizes a methodology of material, contextual, and iconographic analysis to study visual culture.

Examines the accessibility of prints to a wide range of viewers, including both lay and monastic populations.

Features in-depth and interconnected case studies covering print culture in both northern and southern Europe.

Offers a new perspective on the material nature and viewer interaction of early printed images.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
09 February 2010
Listed Since
02 November 2009

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