£143.66

Routledge - The Collage Aesthetic in the Harlem Renaissance

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Description

Explore the deep connections between modernist art and African American cultural expression in The Collage Aesthetic in the Harlem Renaissance. Published by Routledge, this work provides a persuasive analysis of how collage techniques appear in both figurative art and the anthropological theories of Franz Boas. By examining the formal choices made by Harlem Renaissance writers, the text connects literary works to African American vernacular culture and early twentieth-century discourses. It looks at the intersection of cultural nationalism and international modernism to provide a clear understanding of how these movements shaped artistic identity. Readers will gain insight into the politics of form through a close study of significant texts, including Toomer's Cane and Locke's The New Negro. This book is an essential resource for those studying the history of modernism, the evolution of African American literature, and the impact of anthropology on the arts during this transformative era.

Key Features

Examines the use of collage in modernist and Harlem Renaissance figurative art through a cultural lens.

Connects the collage sensibility found in the anthropology of Franz Boas to broader artistic movements.

Analyzes the formal literary choices of Harlem Renaissance writers in relation to vernacular culture.

Explores the relationship between cultural nationalism and international modernism in early twentieth-century discourse.

Provides a detailed study of the politics of form in seminal texts like Toomer's Cane and Locke's The New Negro.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
28 October 2009
Listed Since
18 August 2009

Barcode

No barcode data available

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