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Routledge Talking Animals in British Children's Fiction 1786-1914

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Description

This scholarly examination explores how talking animals in nineteenth-century British children's literature reflected and shaped contemporary debates about humanity and the animal world. Tess Cosslett's reappraisal of canonical works including Black Beauty, Beautiful Joe, The Wind in the Willows, and Peter Rabbit demonstrates how authors used animal characters to engage with pressing intellectual questions of the era. The study applies diverse critical frameworks-from Bakhtinian carnival theory to feminist, postcolonial, and ecocritical perspectives-to illuminate how these stories constructed the child reader and challenged assumptions about authorship and literary possibility. Essential for scholars and students of children's literature history, this volume reveals the intellectual richness beneath what are often dismissed as simple tales, showing how animal fiction functioned as a vehicle for exploring complex nineteenth-century anxieties about nature, society, and childhood itself.

Key Features

Analyses canonical works like Black Beauty, Beautiful Joe, The Wind in the Willows, and Peter Rabbit within their historical and theoretical contexts.

Applies multiple critical approaches including Bakhtinian carnival theory, feminist analysis, postcolonial criticism, and ecocritical perspectives to children's animal fiction.

Examines how nineteenth-century debates about human-animal boundaries shaped the development of children's literature as a distinct genre.

Investigates the construction of the child reader and the role of the implied author in animal stories written between 1786 and 1914.

Part of The Nineteenth Century Series, offering scholarly depth for academic study and literary research.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
28 June 2006
Listed Since
12 December 2006

Barcode

No barcode data available

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