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Routledge Spectacle in Classical Cinemas: 1930s Film Studies

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Description

Challenge traditional views on classical cinema with Spectacle in Classical Cinemas: Musicality and Historicity in the 1930s. While many scholars define classical style by the absence of spectacle, this Routledge publication offers a new way to understand the role of the spectacular in sound cinema. By focusing on the 1930s, this work examines how spectacle functions within two distinct modes of filmmaking: musicals and historical films. The study provides a comparative look at two major national cinemas, specifically the US and France. This approach reveals the rhetorical and affective power of spectacle in a way that previous accounts of cinematic classicism have overlooked. This book is a valuable resource for students and researchers in film studies looking to expand their understanding of how visual and auditory elements work together in early sound cinema. It provides a fresh academic perspective on how the 1930s shaped the history of film through its unique use of musical and historical storytelling.

Key Features

Provides a fresh perspective on the role of spectacle within the framework of classical sound cinema.

Focuses specifically on the 1930s to analyze how cinematic styles evolved during this important decade.

Examines two specific modes of filmmaking, including musical films and historical films.

Offers a comparative analysis between the national cinemas of the US and France.

Part of the Routledge Advances in Film Studies series for academic depth and research quality.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
02 September 2015
Listed Since
02 March 2015

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