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Routledge Shakespeare, Cinema, Counter-Culture - Routledge Studies Vol. 17

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Description

This scholarly volume explores Shakespeare's transformative role in counter-cultural and postmodern cinema spanning the late 20th and early 21st centuries. Grant Ferguson presents an interdisciplinary examination of how Shakespeare's works have been appropriated, inverted, and reinterpreted within post-punk and counter-hegemonic film movements. Through diverse case studies, the book theorizes the nature of Shakespearean intertexts in subcultural political contexts, analysing how postmodern modes of representation reshape classical drama for contemporary audiences. The study interrogates the politicised aesthetics of Shakespearean adaptation, offering fresh perspectives on how filmmakers use Shakespeare to challenge dominant cultural narratives. Essential reading for film scholars, Shakespeare specialists, and anyone interested in the intersection of classical literature, cinema, and countercultural movements.

Key Features

Explores Shakespeare's presence in counter-cultural and postmodern cinema from the late 20th century onwards.

Features diverse case studies analysing how Shakespearean texts are appropriated and inverted in subcultural film contexts.

Offers new theoretical frameworks for understanding postmodern modes of Shakespearean representation in cinema.

Examines the politicised aesthetics of Shakespeare adaptation within post-punk and counter-hegemonic movements.

Part of the Routledge Studies in Shakespeare series, establishing scholarly authority on adaptation and cultural theory.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
25 July 2016
Listed Since
18 October 2012

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