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Routledge Ruptures and Continuities in Soviet/Russian Cinema - Film Studies

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Description

This scholarly examination explores how Soviet cinema evolved following the USSR's collapse, analysing whether this historical watershed prompted fundamental change or whether gradual continuities reshaped Russian filmmaking. Drawing on extensive original research, the book investigates a diverse range of films and filmmakers, evaluating their approaches to genre, character development and aesthetic style across this pivotal period. The study reveals that whilst genres shifted and characters evolved, stylistic choices remained largely consistent throughout the transition. Written by Birgit Beumers, Professor of Film Studies at Aberystwyth University, and Eugenie Zvonkin, this volume offers critical insight into how Russian cinema navigated the complex cultural and political transformations of the post-Soviet era, making it essential reading for film scholars and those interested in Eastern European cinema history.

Key Features

Examines Soviet and Russian cinema before and after the USSR's collapse, exploring stylistic, generic and character developments across this historical transition.

Based on extensive original research by Birgit Beumers, Professor of Film Studies at Aberystwyth University, and co-author Eugenie Zvonkin.

Analyses how genres shifted and characters developed whilst stylistic choices remained largely unaffected during Russia's post-Soviet transformation.

Part of the Routledge Contemporary Russia and Eastern Europe Series, providing authoritative scholarly perspective on Eastern European film.

Investigates a wide range of films and filmmakers' attitudes to aesthetic style, character and genre in the context of dramatic political change.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
23 November 2017
Listed Since
11 January 2016

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