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Routledge Romanticism and Visuality: Fragments, History, Spectacle

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Description

This Routledge scholarly work explores the dynamic relationship between visual culture and literary texts during the Romantic period, examining how artists and writers constructed and manipulated visual imagery. The book investigates the transformative impact of emerging visual media on literary and historical imagination, whilst analysing fragments and ruins as critical elements occupying the boundary between the visible and invisible. Drawing on diverse historical examples-from Daguerre's Diorama to the theatrical staging of Coleridge's Remorse and Shelley's poetic representations of the Medusa-the text traces fundamental debates about the nature of sight and visual perception in Romantic-era culture. Designed for scholars, students, and academics studying Romanticism, literary theory, and visual history, this volume contributes significantly to understanding how visual innovation shaped imaginative expression during this transformative historical period.

Key Features

Routledge Studies in Romanticism series volume 10, offering peer-reviewed scholarship on Romantic-era visual and literary culture.

Examines the crosscurrents between visual media and literature, including Daguerre's Diorama and stage productions like Coleridge's Remorse.

Analyses fragments and ruins as liminal spaces between visibility and invisibility in Romantic artistic and textual practice.

Explores poetic and visual representations of figures such as the Medusa in Shelley's work and contemporary artistic traditions.

Addresses theoretical debates over perception and sight during the Romantic period's transformation of visual culture.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
13 November 2007
Listed Since
26 February 2007

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