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Routledge - Robert Armin and Shakespeare's Performed Songs

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Description

Explore the musical evolution of Shakespearean drama in this interdisciplinary study by Routledge. After Robert Armin joined the Chamberlain's Men, the frequency of singing in plays increased significantly, rising from 1.25 songs to 3.44 songs per play. This book investigates how Armin's personal style as a solo comedian and author influenced the improvisatory nature of these musical moments. By examining Renaissance music that could have been heard on the Shakespearean stage, this work analyzes the collaborative impact of Armin on some of the most famous plays in history, including Much Ado About Nothing. It provides a unique look at how a single performer changed the sonic landscape of Renaissance theater through increased lines of singing and new performance styles.

Key Features

This Routledge publication examines the impact of Robert Armin on the musical structure of Shakespearean plays.

The book tracks the increase in singing from 1.25 songs to 3.44 songs per play following Armin joining the Chamberlain's Men.

Research covers the shift toward improvisatory singing styles influenced by Armin's work as a solo comedian.

The text investigates Renaissance music used in famous works such as Much Ado About Nothing.

This interdisciplinary study analyzes the collaborative relationship between performers and dramatic text.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
24 May 2017
Listed Since
28 September 2016

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