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Routledge Nineteenth-Century Transatlantic Reprinting and the Embodied Book

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Description

Explore how British and American publishers transformed texts during the pre-copyright era in this academic study from Routledge's Nineteenth-Century Transatlantic Studies series. Before the Chace Act of 1891 established international copyright protection, publishers freely edited texts, excerpted passages, added illustrations, and redesigned book appearances across the Atlantic. Jessica DeSpain's research examines this period of textual instability, revealing how the physical book functioned as a crucial medium for cultural exchange between Britain and the United States. Despite the radical editorial freedom and constant transformation of texts during reprinting, the enduring metaphor of the book as the author's physical embodiment persisted. This scholarly work investigates the tension between textual mutability and authorial identity, offering insights into nineteenth-century publishing practices, transatlantic literary culture, and the material history of the book.

Key Features

Focuses on the transformative reprinting practices between British and American publishers before 1891 international copyright law.

Examines how the Chace Act of 1891 ended the era of unrestricted textual editing and redesign across transatlantic borders.

Part of Routledge's Ashgate Series in Nineteenth-Century Transatlantic Studies, positioning it within established scholarly discourse.

Analyses the physical book as a cultural object that mediated exchange and transformation between two publishing markets.

Investigates the paradox of textual instability alongside the persistent metaphor of the book embodying authorial intention.

Product Specifications

Format
hardcover
Domain
Amazon UK
Publication Date
29 August 2014
Listed Since
01 May 2014

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