£130.00

Routledge - Mattheson's Universal Style in Theory and Practice

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Description

Explore the musical legacy of Johannes Mattheson through this detailed scholarly study from the Royal Musical Association Monographs. Margaret Seares examines Mattheson's role as a prolific music theorist, critic, and established composer who remains an understudied figure in music history. This work places Mattheson's Pieces de clavecin (1714) within the broader context of his influence as a public intellectual. Seares investigates how he encouraged German musicians to move past old traditions and instead adopt a universal style of expression. By looking at contemporary musical currents from leading European nations, the book provides a clear view of his efforts to modernize musical practice. Starting with his early non-musical writings, the study traces his development and impact on the musical public. This book is an essential resource for students and researchers interested in the evolution of classical music theory and the transition toward a more international musical language.

Key Features

Analyzes the work of Johannes Mattheson as both a composer and a significant music theorist.

Examines the Pieces de clavecin (1714) in relation to his broader influence on German musical traditions.

Provides historical context on how Mattheson promoted a universal style of expression across Europe.

Part of the respected Royal Musical Association Monographs series for academic research.

Traces Mattheson's intellectual development starting from his early non-musical writings.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
28 September 2014
Listed Since
03 June 2014

Barcode

No barcode data available

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