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Routledge - Cinematic Interfaces: Film Theory After New Media

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Description

Explore the evolving relationship between film and technology in Cinematic Interfaces: Film Theory After New Media. Published by Routledge, this book presents a fresh perspective on how we experience moving images in the digital age. Seung-hoon Jeong introduces the concept of the cinematic interface as a contact surface that mediates between the image and the subject. Rather than viewing this mediation as a simple or transparent process, Jeong argues that it is asymmetrical, ambivalent, immanent, and multidirectional. By applying the new media term "interface" to film theory, the text provides a synthetic notion of interfaciality that addresses the complex nature of both the image and subjectivity. This work is essential for students and scholars looking to understand how new media concepts change our understanding of traditional film studies and the spectator experience.

Key Features

Introduces the cinematic interface as a vital contact surface between the image and the subject.

Applies new media terminology to film theory to create a synthetic understanding of interfaciality.

Analyzes the asymmetrical and multidirectional nature of mediation in modern cinema.

Examines the spectator experience through the lens of multifaceted images and subjectivity.

Provides a scholarly framework for understanding how digital media affects film theory.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
24 July 2013
Listed Since
12 November 2012

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