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Routledge Avant-Garde Art and Non-Dominant Thought in Japan

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Description

Explore a profound reassessment of postwar Japanese art and architecture through this scholarly text from the Routledge Contemporary Japan Series. This book examines how the concept of matter pursued a radical definition of multiplicity to challenge the hierarchical tendencies of post-fascist Japan. Through deep theoretical analysis, the text investigates the formal oppositions that defined the Japanese avant-garde. Readers will study the relationships between cognition and image, self and other, and human and thing. By looking at the work of significant artists and critics, the book provides a clear view of how these creators navigated the boundaries between matter and thought. This highly illustrated volume is an essential resource for students and professionals interested in the intersection of art history, criticism, and architecture. It offers a unique perspective on the movement of non-dominant thought during a transformative era in Japanese history.

Key Features

Provides a detailed reassessment of how matter and multiplicity functioned within postwar Japanese art history and architecture.

Includes theoretical analysis of influential figures such as Okamoto Taro, Hanada Kiyoteru, Kawara On, and Isozaki Arata.

Explores complex formal oppositions including the relationships between cognition and image, as well as human and thing.

Features highly illustrated content to support the study of Japanese avant-garde works and critical theories.

Part of the respected Routledge Contemporary Japan Series for academic and professional research.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
16 November 2020
Listed Since
23 May 2020

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