£137.92

Routledge Artwriting, Nation, and Cosmopolitanism in Britain

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Description

This academic study by Mark A. Cheetham offers a deep look into how art theory and national identity connect in Britain. Spanning from the early eighteenth century to the modern day, the book examines the relationship between art production and the concept of the nation. It provides a detailed account of British artwriting, making it a valuable resource for students and researchers of art history. The text explores the development of English art theory and how it has been shaped over centuries. Readers will find new analyses of major figures including Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller, and Rasheed Araeen. By looking at these central figures, the book explains how the "Englishing" of art theory has impacted the broader global context of British art. This work is part of the British Art: Global Contexts series, providing a necessary perspective on how national identity influences artistic thought and practice.

Key Features

Provides a sustained account of artwriting in the British context from the eighteenth century to the present.

Includes new analyses of central historical and modern figures like Hogarth, Ruskin, and Roger Fry.

Examines the connection between art theory, national identity, and art production in Britain.

Explores how the concept of Englishness has shaped art theory and its global implications.

Part of the British Art: Global Contexts series for specialized academic study.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
28 February 2012
Listed Since
16 September 2011

Barcode

No barcode data available

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