£138.01

Routledge Artwriting, Nation, and Cosmopolitanism in Britain - Art History

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Description

This comprehensive study examines how art theory, national identity, and artistic production have intersected in Britain from the early eighteenth century to the present day. Mark A. Cheetham argues for renewed critical attention to the 'nation' as a vital category in art history, providing the first sustained account of British artwriting across its full historical development. The book offers new analyses of central figures including Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller, and Rasheed Araeen, whilst exploring how the 'Englishing' of art theory has shaped critical discourse and artistic practice. Published by Routledge, this work bridges historical and contemporary perspectives to illuminate the complex relationship between English art theory and cultural identity.

Key Features

Examines artwriting in Britain from the early eighteenth century through to the present day with sustained historical analysis.

Analyses central figures in British art history including Hogarth, Reynolds, Gilpin, Ruskin, Roger Fry, Herbert Read, Art & Language, Peter Fuller, and Rasheed Araeen.

Explores how the 'Englishing' of art theory has influenced national identity and artistic production throughout British history.

Provides the first comprehensive account of British artwriting development and its relationship to cosmopolitanism and nationalism.

Published by Routledge as part of the British Art: Global Contexts series examining art within broader cultural frameworks.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
28 February 2012
Listed Since
16 September 2011

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