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Routledge A Philosophy of the Screenplay - Routledge Studies

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Description

This volume explores fundamental philosophical questions about the nature of the screenplay, addressing its aesthetics, definition, and ontology. Drawing from philosophy, film and media studies, and literary studies, the book examines what a screenplay is, whether it constitutes art or literature, and what kind of artefact it represents. Nannicelli argues that the screenplay is a form of artefact whose boundaries are determined collectively by screenwriters, while its ontological nature is shaped by the creative community that produces and engages with these works. Essential reading for scholars, filmmakers, and students seeking to understand the philosophical foundations of screenwriting and its place within contemporary artistic practice.

Key Features

The book addresses core philosophical questions about screenplay definition, aesthetics, and ontological status within contemporary philosophy.

Nannicelli presents the screenplay as a collective artefact whose nature is determined by the screenwriting community.

Part of the Routledge Studies in Contemporary Philosophy series, offering rigorous academic treatment of screenwriting philosophy.

Draws on multiple disciplines including philosophy, film studies, media studies, and literary analysis.

Explores the relationship between screenplays and art, examining whether screenplays qualify as literature.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
18 December 2012
Listed Since
16 December 2011

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