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Bloomsbury Platonism, Music and the Listener's Share - Philosophy

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Description

Platonism, Music and the Listener's Share explores fundamental questions about the nature of musical works and their identity across performances and interpretations. This volume from Continuum's philosophy series examines what constitutes a musical work, the standards required for competent performance and listening, and whether the traditional work-concept should be reconsidered in light of modern musicological theory. The book investigates whether music possesses intrinsically valuable qualities that transcend individual responses and reception histories, challenging contemporary approaches that dissolve the work-concept into socio-cultural contexts. Essential reading for philosophers, music theorists, and scholars seeking to understand how Platonic thought informs our understanding of musical meaning, identity, and the listener's role in experiencing music.

Key Features

Continuum Studies in Philosophy series volume 39 offering rigorous philosophical analysis of musical ontology and aesthetics.

Examines the work-concept and its application across different musical performances and cultural contexts.

Explores response-transcendent qualities of music that persist beyond individual or societal interpretation.

Addresses contemporary New Musicology debates about dissolving traditional musical identity into reception-history.

Published by Continuum International Publishing Group Ltd., a respected academic philosophy publisher.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
09 October 2006
Listed Since
19 February 2007

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