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Oxford University Press Musical Symbolism in Debussy and Bartok Operas - Oxford

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Description

Musical Symbolism in the Operas of Debussy and Bartok examines how two landmark early 20th century operas transformed harmonic structure and musical language. Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) moved beyond traditional major and minor scale systems to create innovative harmonic approaches. The work explores how these compositions reflect the psychodramatic symbolism found in Maurice Maeterlinck's Franco-Belgian poetry and Bela Balazs' Hungarian dramatic vision. This Oxford University Press publication traces the first significant attempts to establish deeper connections between symbolist drama and musical expression, revealing how both composers used harmonic innovation to convey psychological and emotional depth through operatic form.

Key Features

Analyses Debussy's Pelleas et Melisande (1902) and its harmonic departures from traditional scale systems.

Examines Bartok's Duke Bluebeard's Castle (1911) as a pioneering work in establishing new musical language.

Explores the psychodramatic symbolism of Maurice Maeterlinck's Franco-Belgian poetry within operatic context.

Published by Oxford University Press as an authoritative academic study of early 20th century opera.

Product Specifications

Format
paperback
Domain
Amazon UK
Release Date
20 March 2008
Listed Since
12 November 2007

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