£122.91

MACMILLAN Fabrication of Late-Victorian Femme Fatale - Literary Theory

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Description

This scholarly examination traces how the femme fatale emerged as a dominant fictional archetype in late nineteenth-century British literature. The book analyses how authors including Rider Haggard, Bram Stoker, Joseph Conrad and Thomas Hardy constructed this dangerous woman stereotype within the cultural anxieties of the fin-de-siecle period. Through rigorous literary criticism, it explores how biological determinism, imperialism, race theories, evolving concepts of female sexuality, degeneration and evolutionary theory all shaped the representation of destructive women in classic novels. From Haggard's She-Who-Must-Be-Obeyed to Stoker's vampiric creations and Conrad's Malayan and African women, the book demonstrates how the femme fatale figure became entangled in the ideological preoccupations of the era. This work contributes significantly to women's studies and literary history, offering critical insight into how gender, power and empire intersected in Victorian and Edwardian fiction.

Key Features

Examines the femme fatale as a constructed stereotype within late nineteenth-century British literary culture and intellectual contexts.

Analyses canonical texts by Rider Haggard, Bram Stoker, Joseph Conrad and Thomas Hardy to trace the femme fatale archetype.

Explores how biological determinism, imperialism, race theory and evolutionary thought influenced representations of dangerous women.

Part of the Women's Studies at York Series, providing academic analysis grounded in contemporary literary theory and historical research.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
20 November 1992
Listed Since
04 January 2007

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