£131.87

Routledge https://www.amazon.co.uk/dp/0470086319?tag=tosheroon-21

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Description

Explore the social foundations of Renaissance music with this scholarly work from Routledge. In sixteenth-century Milan, music was rarely a solitary pursuit. While solo performance and silent reading of polyphony were possible, the actual practice of music relied on cooperation. This book examines how the reading and improvisation of polyphony required mutual effort between musicians and the society they served. Moving beyond the idea of the isolated artist, this text looks at how music functioned within the community. It traces the transition of music from an art form strictly tied to the court and the cathedral into a broader collective experience. This study provides a deep look at the practical nature of Renaissance music and how it shaped the social fabric of Milan during this period. It is an essential resource for students and researchers interested in classical music history and the social role of the arts.

Key Features

Examines the social nature of Renaissance music in sixteenth-century Milan.

Analyzes how polyphony was practiced through cooperation rather than individualism.

Explores the connection between musicians and the wider society of the time.

Discusses the transition of music from court and cathedral settings to the public.

Provides historical context for the reading and improvisation of Renaissance polyphony.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
10 February 2006
Listed Since
05 February 2007

Barcode

No barcode data available

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