RODOPI German Text Crimes: Writers Accused, from the 1950s to the 2000s: 77 (German Monitor, 77)

German Text Crimes offers new perspectives on scandals and legal actions implicating writers of German literature since the 1950s. Topics range from literary echoes of the "Heidegger Affair" to recent incitements to murder businessmen (agents of American neo-liberal power) in works by Rolf Hochhuth and others. GDR songwriters' cat-and-mouse games with the Stasi; feminist debates on pornography, around works by Charlotte Roche and Elfriede Jelinek; controversies over anti-Semitism, around Bernhard Schlink's Der Vorleser / The Reader and Martin Walser's lampooning of the Jewish critic Marcel Reich-Ranicki; Peter Handke's pro-Serbian travelogue; the disputed editing of Ingeborg Bachmann's Nachlaß; vexed relations between dramatists and directors; (ab)uses of privacy law to 'censor' contemporary fiction: these are among the cases of 'text crimes' discussed. Not all involve codified law, but all test relations between state power, civil society, media industries and artistic license. Review an important touchstone for ongoing study of the relationship between art and politics in a Germany struggling with its identity, its place on the world stage, and its history. Students will nd many of the cases engaging and provocative for their historical richness, and in a few cases for their challenges to dominant paradigms; and scholars will bene t from its well-researched bibliographies and clear exegeses. - Andrew Brandel, in: "H-SAE, H-Net Reviews," November 2013 Notwithstanding the somewhat inappropriate punning of the title - "German Tekst Crimes" is a thought-provoking study of the relationship between politics and the arts, as well as a valuable contribution to the ever-growing scholarship on historical memory. - Houman Barekat, in: "Times Literary Supplement" 8, 2013, p. 27" The chapters thus highlight some of the most notorious controversies surrounding the publication of literary texts of the post-war era. All of them offer considered and thoroughly readable reconstructions of the cases and debates, explanations for the incriminating reception or notoriety that certain publications have achieved, and explanations of the reasons and specifically German or Austrian conditions that created a sense of offence from the sensitivities arising from historical experience and the alleged tarnishing of good names to the conflation of moral and aesthetic criteria. Florian Krobb (National University if Ireland Maynooth), in "Modern Language Review" 109.4 (2014), pp. 1145-46 " an important touchstone for ongoing study of the relationship between art and politics in a Germany struggling with its identity, its place on the world stage, and its history. Students will nd many of the cases engaging and provocative for their historical richness, and in a few cases for their challenges to dominant paradigms; and scholars will bene t from its well-researched bibliographies and clear exegeses. " - Andrew Brandel in "H-SAE," H-Net Reviews. November, 2013 "Notwithstanding the somewhat inappropriate punning of the title - "German Tekst Crimes" is a thought-provoking study of the relationship between politics and the arts, as well as a valuable contribution to the ever-growing scholarship on historical memory." - Houman Barekat in "Times Literary Supplement" 8 2013 p. 27" Preece s essay appears to be an appropriate conclusion to a volume that seeks to address various German text crimes in that in his conclusion he assumes the role of accuser of both authors and critics by citing Emile Zola s J accuse. -Siegfried Mews, University of North Carolina at Chapel Hill, in Monatshefte, vol. 107.4 2015, pp. 704-706 The chapters thus highlight some of the most notorious controversies surrounding the publication of literary texts of the post-war era. All of them offer considered and thoroughly readable reconstructions of the cases and debates, explanations for the incriminating reception or notoriety that certain publications have achieved