Brill Interactive and Sculptural Printmaking in the Renaissance: 270/21 (Brill's Studies on Art, Art History, and Intellectual History, 270/21)

Sculpture in Print, 1480–1600: 52 (Brill’s Studies on Art, Art History, and Intellectual History, 52)

Brill

Making Copies in European Art 1400-1600: Shifting Tastes, Modes of Transmission, and Changing Contexts: 286/30 (Brill's Studies on Art, Art History, and Intellectual History, 286/30)

Brill

Michelangelo in Print: Reproductions as Response in the Sixteenth Century

Routledge

Building with Paper: The Materiality of Renaissance Architectural Drawings: 2 (Art and Materiality: Textual and Visual Experiences)

Brepols

Hieroglyph, Emblem, and Renaissance Pictography: 281/28 (Brill's Studies on Art, Art History, and Intellectual History, 281/28)

Brill

The Print in the Western World: An Introductory History

University of Wisconsin Press

Prints as Agents of Global Exchange: 1500-1800 (Visual and Material Culture, 1300-1700)

Brill - Visualizing the Past in Italian Renaissance Art

Brill

The Print Before Photography: An introduction to European Printmaking 1550 - 1820

British Museum Press

Collecting Prints and Drawings in Europe, c. 1500–1750

Routledge

The Globalization of Renaissance Art: A Critical Review: 274/23 (Brill's Studies on Art, Art History, and Intellectual History, 274/23)

Brill

Intaglio Simultaneous Color Printmaking: Significance of Materials and Processes

State University of New York Press

Reading the Renaissance: Black Women's Literary Reception and Taste in Chicago, 1932-1953 (Studies in Print Culture and the History of the Book)

University of Massachusetts Press

Reassessing Epistemic Images in the Early Modern World (Scientiae Studies)

Early Colour Printing: German Renaissance Woodcuts at the British Museum

Wiley

Illustrer le livre: Peintres et enlumineurs dans l'édition parisienne de la Renaissance (1540-1585)

RABELAIS

Humour and Folly in Secular and Profane Printes of Northern Europe, 1430-1540 (Studies in Medieval and Early Renaissance Art History 35)

Harvey Miller

The Rise of the Image: Essays on the History of the Illustrated Art Book (Reinterpreting Classicism: Culture, Reaction and Appropriation)

Routledge

Before Enlightenment: Play and Illusion in Renaissance Humanism: 326 (Brill's Studies in Intellectual History, 326)

Brill

The Rise of the Image: Essays on the History of the Illustrated Art Book (Reinterpreting Classicism: Culture, Reaction and Appropriation)

Routledge

Historical Aspects of Printing and Publishing in Languages of the Middle East: Papers from the Symposium at the University of Leipzig, September 2008: 4 (Islamic Manuscripts and Books, 4)

Brill

The Renaissance Artist At Work: From Pisano To Titian (Icon Editions)

Routledge

The Renaissance Reform of the Book and Britain: The English Quattrocento: 17 (Cambridge Studies in Palaeography and Codicology, Series Number 17)

Cambridge University Press

Making Copies in Early Modern Times: Models and Copies in an Interdisciplinary Context: 83 (Brill's Studies on Art, Art History, and Intellectual Histor)