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De Gruyter Der Blick ins All: Reflexionen des Kosmos der Zeichen bei Brockes, Jean Paul, Goethe und Stifter: 121 (Untersuchungen zur Deutschen Literaturgeschichte, 121)

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Description

Schon immer war der Blick ins All mehr als Himmelsbetrachtung. Es galt, den Kosmos - das Weltganze als gesetzmäßige und bedeutungsvolle Konfiguration - wie auch den Status seines Betrachters aus der Bestimmung von Zeichen zu konstituieren. So ist die Geschichte der Himmelsbetrachtung zugleich eine Geschichte der Hermeneutik kosmischer Zeichen. Wo literarische Allbetrachter zum Himmel blicken, geht es deshalb um mehr als um semantische Bestimmungen des Kosmos. Welt- und Selbstdeutungen des Betrachters sind hier mit der grundsätzlichen Frage nach der Lesbarkeit von Zeichen verknüpft. Darum ist der kosmische Augenblick der Moment, in dem die Texte ihre eigenen Bedingungen reflektieren. Brockes' Irdisches Vergnügen in Gott erprobt am unermeßlichen Himmel die mimetischen Leistungen einer an klassischer Abbildtheorie geschulten Beschreibungskunst. Dabei wird das All zum Darstellungsproblem. In Jean Pauls Titan dehnen die kosmischen Augenblicke gerade im Bemühen, die Urbildsphäre zu erreichen, das Reich der Zeichen weiter aus. In Goethes Wanderjahren genügt sich der Kosmos der Zeichen selbst als unaufhörliche Rede, die immer weitergehen kann. Stifters Condor schließlich versucht eine neue Gegenständlichkeit, doch ist das All vor allem die Variable, welche die Betrachter mit literarischen Kosmosbildern füllen. Die Kosmosschau der Literatur ist in der Zeit des kosmologischen Umbruchs vom geschlossenen zum nachkopernikanischen Himmel also vor allem Betrachtung des Kosmos der Zeichen; ein Blick, den der Text auf sich selber wirft.

Product Specifications

Format
hardcover
Domain
Amazon UK
Release Date
01 January 2004
Listed Since
10 February 2007

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