MACMILLAN Phenomenologies of Grace: The Body, Embodiment, and Transformative Futures

This book explores the place of the body and embodied practices in the production and experience of grace in order to generate transformative futures. The authors offer a range of phenomenologies in order to move the philosophical anchoring of phenomenology from an abstracted European tradition into more open and complex experiential sets of understandings. Grace is a sticky word with many layers to it, and the authors explore this complexity through a range of traditions, practices, and autobiographical accounts. The goal is to open a grace-space for reflection and action that is both futures-oriented and enlivening. Review "This grace-full book addresses the question of what constitutes the human now and offers fascinating insights on how human our future could be.  Journeying through various parts of the world, the authors explore body movement and embodied action in space and place, language and affect, music and the imaginary, thus expanding the concept and practice of “grace” to the everyday.  The book’s critical voice against a globalizing modernity that desymbolizes and routinizes everyday life, certainly makes it an important paedagogical tool." –C. Nadia Seremetakis, Professor of Cultural Anthropology, University of the Peloponnese, Greece “If the body is a mansion, it is a mansion with many windows that may open to admit grace. Grace in any or all of its disruptive and sometimes disquieting forms. This extraordinary book tours the mansion and throws open window upon window, each offering views of the world as it could be. Not for the faint-hearted.”–Marilyn Mehlmann, Co-Founder, Legacy17 cooperative association, Stockholm, Sweden, and Vice President, Union of International Associations, Brussels, Belgium   “Grace is a word that one rarely hears in contemporary cultural discourse. In theology (especially Christian theology) perhaps, but in few other contexts. This boundary-crossing book challenges that silence in multiple ways – by relating grace to aesthetics, to human well-being, to music, to play (including the play of adults) and to education, and in doing so, takes the idea of the phenomenology of grace well beyond its conventional religious boundaries. We often recognize grace when we see it – in dance or deportment for example – but we rarely pursue its implications beyond the superficial. This book does so, and opens up vistas and the deep grammar of everyday life in ways that mainstream social science rarely does, or is afraid to approach. The gentleness of the theme belies the robustness of the content, in ways, I think, never having been done before.”–John Clammer, O.P. Jindal Global University, Delhi and the University of Kyoto   “Can words awaken us? Can they dance off the page and into the very center of our intuitive knowing?  These beautifully crafted essays propel us both backwards and forwards into ancient futures as we are urged to re/member, re/collect, and re/connect to what we have always known, but perhaps forgotten – that the body is a source of inexhaustible wisdom and boundless creativity, and that grace is in the air around us, can we but learn to breathe. And in this deep breathing, to perhaps find our way out of the anguish of the present moment, the unbearableness of the damage we have wrought upon the planet, and into the making of a re/animated, re/enchanted world where everything is alive, awake, and precious.” –Kathleen Kesson, Professor Emerita, Department of Teaching, Learning, and Leadership, School of Education, Long Island University, USA “When asked my key indicator for success at a workshop or speech, I often say: "It is when angels enter the room."  Now after reading Bussey's and Mozzini-Alister's text, I see, the key indicator for success is when there is grace in the room. Grace, however, can be multiple - it can be bliss, failure, a moment of discord, and a moment of transformation.  Grace pushes us from pushing, allowing us to b