MACMILLAN Romanticism and the Letter (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)

Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period. From the Back Cover Romanticism and the Letter is a collection of essays that explore various aspects of letter writing in the Romantic period of British Literature. Although the correspondence of the Romantics constitutes a major literary achievement in its own right, it has received relatively little critical attention. Essays focus on the letters of major poets, including Wordsworth, Byron, Shelley and Keats; novelists and prose writers, including Jane Austen, Leigh Hunt and Charles Lamb; and lesser-known writers such as Melesina Trench and Mary Leadbeater. Moving from theories of letter writing, through the period’s diverse epistolary culture, to essays on individual writers, the collection opens new perspectives for students and scholars of the Romantic period. Madeleine Callaghan is Senior Lecturer in Romantic Literature at the University of Sheffield. Liverpool University Press published her first monograph, Shelley’s Living Artistry: The Poetry and Drama of Percy Bysshe Shelley, in 2017, and her book, The Poet-Hero in the Work of Byron and Shelley (2019) is published by Anthem Press. Anthony Howe is Reader in English Literature at Birmingham City University. His publications include Byron and the Forms of Thought (Liverpool, 2013) and The Oxford Handbook of Percy Bysshe Shelley (2013), edited with Michael O’Neill. He is currently writing a monograph about literary letter writing in the British Romantic period. About the Author Madeleine Callaghan is Senior Lecturer in Romantic Literature at the University of Sheffield. Liverpool University Press published her first monograph, Shelley’s Living Artistry: The Poetry and Drama of Percy Bysshe Shelley, in 2017, and her book, The Poet-Hero in the Work of Byron and Shelley (2019) is published by Anthem Press. Anthony Howe is Reader in English Literature at Birmingham City University. His publications include Byron and the Forms of Thought (Liverpool, 2013) and The Oxford Handbook of Percy Bysshe Shelley (2013), edited with Michael O’Neill. He is currently writing a monograph about literary letter writing in the British Romantic period.